A Quote by Viola Davis

Your internal dialogue has got to be different from what you say. And, you know, in film, hopefully that registers and speaks volumes. It's always the unspoken word and what's happening behind someone's eyes that makes it so rich.
Your internal dialogue has got to be different from what you say. And, you know, in film, hopefully that registers and speaks volumes. It’s always the unspoken word and what’s happening behind someone’s eyes that makes it so rich.
There's often rarely any dialogue in a sex scene. With your fellow actor, it's good to talk about what the unspoken dialogue is, that's happening in the scene. You've got to play something rather than feel self-conscious or exposed.
On camera, the audience can see your eyes close up - they can see behind your eyes - and when you're on stage, you need to make sure that the person sitting in the back row can feel what's happening behind your eyes, even if they can't see them. Having a live audience is exhilarating and exciting all on its own, but you know, it is quite different.
My presence speaks volumes before I say a word.
We've got so many different cultural groups in my family that I've had to learn to accommodate them in different ways. My father speaks different to my mum. My mum speaks different to my grandmother. Everybody speaks different, so you find you start tweaking your language to be more accessible to people.
Painting is an unspoken and largely unrecognized dialogue, where paint speaks silently in masses and colors and the artist responds in moods.
'Liberation' is an interesting word because you can be liberated from external things and also from your internal dialogue.
Liberation is an interesting word, because you can be liberated from external things, and also from your internal dialogue.
If the lost word is lost, if the spent word is spent If the unheard, unspoken Word is unspoken, unheard; Still is the spoken word, the Word unheard, The Word without a word, the Word within The world and for the world; And the light shone in the darkness and Against the Word the unstilled world still whirled About the center of the silent Word. Oh my people, what have I done unto thee. Where shall the word be found, where shall the word Resound? Not here, there is not enough silence
Eyes are the greatest tool in film. Mr. Capra taught me that. Sure it's nice to say very good dialogue, if you can get it. But great movie acting - watch the eyes!
The beauty of fragrance is that it speaks to your heart and hopefully someone else's.
I can't say I've ever finished a film and been particularly thrilled with myself or patted myself on the back. And maybe that's what keeps me going, and that's a good thing. It speaks volumes about how I perceive myself.
'Hereditary' is unabashedly a horror film. In a lot of ways, it's in dialogue with other horror films. But I do know that it was important for me that the film functioned first as a family drama. I know that I'm never affected by anything if I'm not invested in the people to whom the genre things are happening.
Some people say you're weak because, you know, you're not loud and you're not boisterous and you're not rude. But the fact of the matter is, look and see what I've done. And that speaks volumes about strength.
I've always been shy and that's partly why I chose a life behind the lens. I like people to look at my work and hopefully it speaks for itself.
Romance is not an idea, but a moment. An unspoken glance when someone looks into your eyes and knows exactly who you are, what you need.
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