A Quote by Viola Davis
I don't care if someone is new to acting or experienced in acting: you always learn something from them. It's just like people in life - whether they're young or middle-aged or old, you always learn something from someone.
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My favorite part about my job is not that it is never boring; it is that it is always exciting. There is always something new to learn. There is always something interesting to get from someone else. Whether it is an actor, or a sound engineer, there is so much to learn and there will never be nothing to learn. There is always something there.
Anytime I get an acting role, I find a way to learn about something new, or heal a part of my life that I didn't know was hurting. I think anybody could benefit from taking acting classes. You don't necessarily have to want to be an actor or pursue the acting business. But just taking an acting class, you're going to learn so much about life and what it's like to walk in somebody else's shoes. It helps you stop judging people. It does something to you where you become empathetic to people's plights and journeys, and it makes you a little more understanding and caring.
You always learn something about movies. Directing or acting, there's always something new. It's the technological thing; there's always something to learn.
When I started studying acting in New York, I didn't plan to be an action hero. I just wanted to learn acting because I felt it was something I needed to try to do for myself, to express something, my inner pain, or something I couldn't get out.
It's always very exciting to collaborate and work with people who are masters at what they do. When I decide to learn new things, I always choose to learn from the best, so I can become one of them. It is the same with acting. When you are around other talented people, it can only bring you up.
In regard to music, I just think that it's always best to have an attitude of being a perpetual student and always look to learn something new about music, because there's always something new to learn.
With acting, there are a lot of subtleties and non-verbals involved. If someone is over there, getting eaten by a shark, there's a non-verbal way of how to act that. There's a certain nuance to acting that does not come intuitively to me. It's something I still have to learn.
I'm often asked by younger filmmakers, 'Why do I need to look at old movies?' I've made a number of pictures in the last 20 years and the response I have to give them is that I still consider myself a student. The more pictures I've made in 20 years, the more I realize I really don't know. And I'm always looking for something or someone that I could learn from. I tell the younger filmmakers, and the young students, that do it like painters used to do—that painters do—study the old masters, enrich your palette, expand the canvas. There's always so much more to learn.
In regard to music, I just think that it's always best to have an attitude of being a perpetual student and always look to learn something new about music, because there's always something new to learn. Don't dismiss something out of hand because you think it's either beneath you or outside of the realm of where your interests lie.
If you're going to play a brain surgeon, you just have to learn how to say the words. You don't have to go and learn how to cut open somebody's scalp. I think acting is acting. Being is something else.
Of course, you can never watch something like somebody else watches something like you, but nonetheless, you have to try. So I think on camera you learn a lot about how much the camera does for you, which is what is the great luxury of movie acting. Or acting whether it's TV or movies or whatever it is, that the camera's really such a gift because there's so much that it sees and does if you're willing to just be open and expose yourself and all of that. So you also learn what doesn't matter. And sometimes when you think about things, you think things matter that don't matter.
Acting is something that I've done since I was so young. I always felt - certainly as a teenager - really cynical about acting. I definitely didn't feel like it was something I wanted to do, and so I really took it for granted.
If I'm directing actors, I learn about acting that way. If I'm acting, I learn about directing that way. Producing is just something that's come about because there's projects I find interesting that I would like to help get done.
I don't care what someone believes. I don't care what nationality they are. But if someone wants to get off drugs, I can help them. If someone wants to learn how to read, I can help them. If someone doesn't want to be a criminal anymore, I can give them tools that can better their life.
I don't know whether it's spiritual development or trying to learn the psychologically with being an actor, but I realise the more I get into it that this was something I was always supposed to do. That allowed me to sit easiser in the life I was living. But that doesn't mean to say you just stroll through it. It takes work and the work is not always about acting. It's sometimes about how you deal with the ups and downs of hope, of expectation.
As an athlete, that's something I always take with me. You fall every day, whether it's in a job, or you miss something else, but you learn how to do it better next time. You learn it in sports. That's a life lesson.
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