A Quote by Viola Davis
I've been online doing all kinds of research and that seems to be the constant criticism, that Aibileen's accent was just too thick. And for me, I don't want anything to distract from the character.
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Twitter seems just to be constant updates; it seems to me as promotional tool where people talk themselves up, and I don't want it to take over what I'm doing.
Early on, people told me I was making Chinese people look bad. I've been living with this accent. I had already been doing standup for a while. I knew my voice already. I myself never wanted to make my accent the butt of the joke. I never want it to be, 'I'm laughing at your accent.'
You don't want to look too far ahead or get too excited about anything, so I just want to keep doing what I've been doing.
You know what it is, when I'm playing a role sometimes, I just tend to stay in that role. It's easier to maintain. We just shot a pilot in a very thick American accent. I feel like the character lives in me. Of course, my family tease me about it.
Because I'm Irish, I've always done an accent. Not doing an accent is off-putting because I sound like me. I love doing an accent. Doing the accent from West Virginia was great, and we had to get specific with it.
If you are playing a Hispanic character who has to speak in dialect or in an accent, nail that dialect or accent. When I hear a character that's supposed to be Cuban speaking with a Mexican accent or vice versa, it grates on me and immediately pulls me out of the story.
I've heard other actors saying they don't want to play a character with an accent at all. To me, that's kind of an insult to somebody like me who did have an accent.
It's really an organic sort of process. You start off with the character on the page. You fall in love with that character and you have to represent that character well and I think it's just an evolution there. Using the accent and speaking the lines with the accent in fact opens the door to who the character really is.
The Australian accent just a very lovely accent and it doesn't have the pretention maybe of an English accent, but yet seems a little bit more exotic than an American.
I've been typecast. People don't want to take a risk or a chance. Quite a few times they've come up to me and say "We want you to do that Russian accent." And I'll be like, "How about if I do an Irish accent or a South African accent," and they don't trust that you can properly pull them off.
I'd done all my research and seen that Booker and Gadson had worked with giant folks and little peanuts, too. That just showed me that they're musicians. They're not just interested in doing the big ones, they're interested in doing stuff that - pardon the expression - gives them a boner. I'm like that, too. I don't want to just do easy stuff. I want to keep myself freaked out all the time. Hence the title of the record, I Like To Keep Myself in Pain.
One never wants to do anything that's going to break that 'sculpture of the character' that's been done so far, or make anything that's been done so far become illogical in any way, so you always want to try to connect when you're doing a series of films that has a continuous character.
It's everywhere, constant criticism of women's appearance in magazines and online. It's not easy to navigate.
I do believe that there are African Americans who have thick accents. My mom has a thick accent; my relatives have thick accents. But sometimes you have to adjust when you go into the world of film, TV, theatre, in order to make it accessible to people.
It is a mistake to suppose that the Supreme Court is either honoured or helped by being spoken of as beyond criticism. On the contrary, the life and character of its justices should be the objects of constant watchfulness by all, and its judgments subject to the freest criticism.
It's funny because when I'm outside Australia, I never get to do my Australian accent in anything. It's always a Danish accent or an English accent or an American accent.
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