A Quote by Violante Placido
I'm more into kind of real stories, psychological movies.
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The earliest influence on me was the movies of the thirties when I was growing up. Those were stories. If you look at them now, you see the development of character and the twists of plot; but essentially they told stories. My mother didn't go to the movies because of a religious promise she made early in her life, and I used to go to movies and come home and tell her the plots of those old Warner Brothers/James Cagney movies, the old romantic love stories. Through these movies that had real characters, I absorbed drama, sense of pacing, and plot.
Weakness is worse than cancer, I think. It's a kind of psychological or spiritual cancer. And if you have a goal in your life, you'll get psychological immunity. Psychological immunity is a kind of optimism, just like spring.
It's great to have loads of Marvel movies, but the movies that reflect our lives - that's why I came to the movies, and that's what I love. I want to see stories about my life being reflected back at me, and there's not that many of those anymore. It's a real shame.
When I heard the stories of both my movies, I liked them. These are the kind of stories that I enjoy.
Some stories, she’d say, the more you tell them, the faster you use them up. Those kind, the drama burns off, and every version, they sound more silly and flat. The other kind of story, it uses you up. The more you tell it, the stronger it gets. Those kind of stories only remind you how stupid you were. Are. Will always be.
The movies that influenced me were movies that told their stories through pictures more than words.
A lot of my stories are inspired by Japanese folklore or literature or movies: I've done stories based on Kabuki and Noh plays, and on Kurosawa's 'Yojimbo' movies.
I think that television lately has been extremely dark and, in some ways, cynical but I also think that people who are writing those shows probably feel exactly as I do - that sometimes the darkness of a story can highlight the light in a story. There's a lot of cynical stuff but I think it may be even more in movies now where you see so many movies about cynical and corrupted characters. That's the state of many movies right now but movies, television, all of culture, there's always going to be a battle between the stories that are cynical and stories that are hopeful.
[I]nstead of the usual "Why can't we make movies more like real life?" I think a more pertinent question is "Why can't real life be more like the movies?"
I think that's the real reason, sometimes, that people talk about my stories as being scary, because if you compare what goes on in my stories to what goes on in popular movies and popular songs, it's very mild.
I like all of the mental, psychological thriller movies too. I enjoy horror movies across the board.
In my films quite often, paranoia usually leads to the truth so it is kind of a psychological state of mind to think that what you fear may come true, and those are the types of stories that I like to tell.
I'm a British psychological illusionist, which is a term I made up, but I do these kind of mind-reading and psychological experiments. There's nothing magical about it at all.
It's a great wake-up call for our entire industry: What movies are we making? What storytellers are we allowing to tell the stories? What people are we allowing to be cast in those stories? I think we need newer stories, and more people given the opportunity to do anything they want.
TV has a longer narrative, and TV's more like short stories. So there's less rules with TV; you can make it a little bit different. [With] movies, the medium has more constraints, so it was just about what stories are the most cinematic and the best resolution.
I make different choices in regards to the stories I want to be a part of. In my mind, it's a totally different medium. Commercials are little skits, and movies are stories; I became a little more picky in my choices for stories that I wanted to be involved in.
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