A Quote by Violet Chachki

For me and my drag, I think camp is about exaggeration and artifice and the celebration of superficiality. A lot of my fans look up to me as a figure of femininity but that's all artifice. That's all fake and that's campy within itself, and so that's what resonates to me: the seriousness and the funniness and the artifice and the exaggeration.
I realized early on that artifice attracted me to an image more than any other quality - I mean artifice in the sense of staging and heightened color and exaggerated lighting, not a surreal or fictive moment... I think the lighting and feeling of Cinemascope, the movies I saw as a kid, always stayed with me as a kind of glorious vision of reality.
Femininity in general is seen as frivolous. People often say feminine people are doing 'the most,' meaning that to don a dress, heels, lipstick and big hair is artifice, fake, and a distraction. But I knew even as a teenager that my femininity was more than just adornments: they were extensions of me, enabling me to express myself and my identity.
If you scratch through the deceitful artifice of contemporary photography, you'll find the real artifice underneath.
Femininity in general is seen as frivolous. People often say feminine people are doing “the most”, meaning that to don a dress, heels, lipstick, and big hair is artifice, fake, and a distraction. But I knew even as a teenager that my femininity was more than just adornments; they were extensions of me, enabling me to express myself and my identity. My body, my clothes, and my makeup are on purpose, just as I am on purpose.
Obviously VIA DOLOROSA is completely artificial. It is as highly wrought as any of my plays. But basically all the artifice is to disguise itself so you don't feel it's there. You're attempting to make the artifice like a pane of glass that simply leads you through to the subject - not to decorate the bloody glass.
Drag for me is costume, and what I'm trying to do is, sometimes I'll go around and wear makeup in the streets, turn up to the gig, take the makeup off, do the show, and then put the makeup back on. It's the inverse of drag. It's not about artifice. It's about me just expressing myself. So when I'm campaigning in London for politics, I campaign with makeup on and the nails. It's just what I have on, like any woman.
Art is for [the Irish] inseparable from artifice: of that, the theatre is the home. Possibly, it was England made me a novelist.
I'm asking the reader to suspend reality with me and entertain the idea that the person writing is not me. In order to do that well, I think, one needs to point out the artifice of the narrative. Somehow if the narrator is self-aware then it's almost more humanizing and more relatable.
Consume my heart away, sick with desire And fastened to a dying animal It knows not what it is, and gather me Into the artifice of eternity.
I still feel that variable gears are only for people over forty-five. Isn't it better to triumph by the strength of your muscles than by the artifice of a derailleur? We are getting soft... As for me, give me a fixed gear!
Nature is mighty. Art is mighty. Artifice is weak. For nature is the work of a mightier power than man. Art is the work of man under the guidance and inspiration of a mightier power. Artifice is the work of mere man, in the imbecility of his mimic understanding.
I think when you look at architectural photography it doesn't help to have piles of old clothes lying on the floor. Architectural photography sets up an artifice.
All is artifice in my world, Constantine. Even me. Especially me. He taught me to be a duchess, to be an impregnable fortress, to be the guardian of my own heart, But he admitted that he could not teach me how or when to allow the fortress to be breached or my heart to be unlocked. It would simply happen, he said. he promised it would, in fact. But how is love to find me, even assuming it is looking?
I've never understood people who play up the artifice of music.
I don't have stylistic loyalty. That's why people perceive me changing all the time. But there is a real continuity in my subject matter. As an artist of artifice, I do believe I have more integrity than any one of my contemporaries.
Whiteness itself is artifice, is fiction, is a construction, is narrative, is myth. And I seek to deconstruct all of that, to challenge the accretion, the intellectual accretion, the philosophical secretion that generates within the edifice of white supremacy that allows people easy escape, and egress. And I'm saying, "No, you can't leave now. You cannot afford to not know what I'm talking about, because you gotta be held accountable."
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