A Quote by Violet Chachki
I use glamour as a tool, almost like armor to confidently take up space, to provoke questions and conversations about society and gender norms.
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It's my view that gender is culturally formed, but it's also a domain of agency or freedom and that it is most important to resist the violence that is imposed by ideal gender norms, especially against those who are gender different, who are nonconforming in their gender presentation.
If you say to people that they, as a matter of fact, can't protect their conversations, in particular their political conversations, I think you take a long step toward making a transition from a free society to a totalitarian society.
They wanted black women to conform to the gender norms set by white society. They wanted to be recognized as 'men,' as patriarchs, by other men, including white men. Yet they could not assume this position if black women were not willing to conform to prevailing sexist gender norms. Many black women who has endured white-supremacist patriarchal domination during slavery did not want to be dominated by black men after manumission.
I think growing up, the assimilation of most cultural conventions typically encouraged by a heightened awareness of gender and sex encourages a sort of separation of the self. What's so special about 'Hanna' is that her upbringing has negated this indoctrination; she's almost absolved of the pressures of gender or gender itself.
But technology is the real skin of our species. Humanity, correctly seen in the context of the last five hundred years, is an extruder of technological material. We take in matter that has a low degree of organization; we put it through mental filters, and we extrude jewelry, gospels, space shuttles. This is what we do. We are like coral animals embedded in a technological reef of extruded psychic objects. All our tool making implies our belief in an ultimate tool. That tool is the flying saucer, or the soul, exteriorized in three-dimensional space.
We should be teaching young girls to take up space. Nothing is as important as taking up space in society and cementing yourself.
When I do makeup, it's performative. I don't really wear makeup, but I use it as a tool to talk about gender and sexuality.
All societies establish laws that become norms. Those norms create the environment that incubates society. So, when you implement the laws of God in society, they produce a culture of heaven.
I say from time to time that the vote is precious. It's almost sacred. It is the most powerful nonviolent tool or instrument that we have in a democratic society. And we must use it.
In all of my work I'm trying to create a dialogue, in which I want to provoke the recipients, stimulate them to use their own imaginations. I don't just say things recipients want to hear, flatter their egos or comfort them by agreeing with them. I have to provoke them, to take them as seriously as I take myself.
Stand-up is still my favorite, but the podcast is a close second. It's so fun, and it's given me the opportunity to have three-hour conversations with people I wouldn't have otherwise been able to talk to. When I talked to Maynard Keenan from Tool, I almost couldn't believe it was happening.
When I need to wipe my face, I use the back of my hand, And I like to take up space just because I can, And I use my dress to wipe up my drink. I care less and less what people think.
Mail armor continued in general use till about the year 1300, when it was gradually supplanted by plate armor, or suits consisting of pieces or plates of solid iron, adapted to the different parts of the body.
Now 3D is no longer a fad but I don't get all crazy about it and say that everything has got to be in 3D. It is a nice tool, like color or sound or whatever. I was quite intrigued and I learned, 3D opened up a lot of questions about how to use it. I think it is great. It's like if a movie needs to be in black and white then that's how I will shoot it. I see color as just another character or black and white as a character.
Stand-up is still my favorite, but the podcast is a close second. It's so fun, and it's given me the oppor-tunity to have three-hour conversations with people I wouldn't have otherwise been able to talk to. When I talked to Maynard Keenan from Tool, I almost couldn't believe it was happening.
I do not remember any questions in my childhood other than questions about death and about loss, and it was clear that the books that filled the house were not as interesting as the conversations outside.
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