A Quote by Violet Chachki
I have an amazing collaborative relationship with Albert Sanchez and Pedro Zalba. They always understand my vision and also have their own references to bring to the table, the results are always incredible.
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Film is a collaborative art form. If you're not being collaborative, you probably shouldn't be working in film. You don't do it on your own. People who understand that, cultivate that, get the best results.
The wrestling world lost Pedro Morales... I knew Pedro from all the years that I worked with WWE. From the time I first started there, he was always such a nice guy, very classy, and even later on, you could totally understand why someone would trust putting a world championship on a guy like that. And Pedro was ready for all types of action.
For reasons probably related to the popular vision of Albert Einstein and, also, the threat posed by black holes in comic books and science fiction, our gravitational wave discoveries have had an amazing public impact.
We go into a relationship looking for love, not realizing that we must bring love with us. We must bring a strong sense of self and purpose into a relationship. We must bring a sense of value, of who we are. We must bring an excitement about ourselves, our lives, and the vision we have for these two essential elements. We must bring a respect for wealth and abundance. Having achieved it to some satisfactory degree on our own, we must move into relationships willing to share what we have, rather than being afraid of someone taking it.
Bill Sofield has the ability to understand the architecture of a space and how to utilize it in the most beautiful way. He can create completely different styles for his clients based on who they are and what their taste is. Our efforts have always been collaborative, and I value what he brings to the table architecturally and aesthetically.
I feel like there is never enough, and it's interesting to me because I don't think I'm that interesting. I can definitely bring something to the table, but it's just always incredible our fans are so dedicated and interested in what we are doing.
This game in a lot of ways, isn't that complex. You bring energy to the table and you've got a chance. You bring fundamentals to the table and you've got a chance. It's not always about scheme and all that magic-behind-the-curtain stuff.
I always try to bring a little bit of my own personality to the character, or some sort of personal connection makes it a little bit more of an organic portrayal and the audience can kind of maybe believe it a little bit more. But I always look for something to kind of connect with and identify with, or bring something of myself to the table.
I found that with Rooney, her instincts in films was always to underplay and to sort of reduce down what was necessary to bring you in - a sense of economy, a sense of scale, which just seemed to understand the medium so well. When you see that in a younger actor, I always think it speaks to incredible knowledge. I can't exactly figure out where that comes from, that confidence to know how to be quiet.
I always kept the fans happy. They always saw a different Rey, whether it was a mask, a design, a color. I never gave them the same thing twice and always kept them on their feet. They were always excited to see what Rey was going to bring to the table.
My dad is actually an amazing guitarist, and he always had an incredible record collection, which is how I discovered things like Jimi Hendrix and Santana. I'll always be grateful for that.
That is always really fun when you get to work with a director you understand and uses references you can identify with.
I always think part of success is being able to replicate results, taking what is interesting or viable about yourself as a professional person and seeing if you bring it into different situations with similar results.
I really challenge every actor at the beginning of a process, and I always say, 'I have an idea that I'm going to bring to the table. I hope and expect that you will have an idea and bring it to the table. But the way I really want to work is that together we're going to have a third idea that is better than either of our ideas.'
In film, it is always collaborative, and so to me, it doesn't make sense to not be collaborative in one of its most critical arenas - which is the screenplay.
Walking into the great hall for the first time was absolutely incredible - all these effects with all the candles floating in the air, all lit and everything, food on the table, all the flambeaus were lit - it was just incredible, it was the most amazing thing I've ever seen in my life.
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