A Quote by Violet Chachki
Notes on 'Camp' talks a lot about homosexuality and androgyny and performance and a false seriousness, nit-picking the trivial things and making them funny. And that's exactly what drag does. Reading through the entire essay I couldn't help but relate all of it back to drag.
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I love that drag is political. For me, one of the reasons I started doing drag was reading about how in the past, drag performers were able to organize the queer community and move us forward.
I do drag. Just because my drag is not the drag of Creme Fatale or Holy McGrail doesn't mean it's less drag. I perform live; I just sing with dancers. It's drag on a different level.
A lot of people still have the idea that drag goes from one end of the gender spectrum to the other end of the gender spectrum, and they expect drag queens to be masculine out of drag and hyper-feminine in drag. I think that portrays a lot of binary thinking and, ultimately, a lot of misogyny.
Don't drag anchors of unforgiveness into your relationships. Forgive who you need to forgive. Reach out to someone who may be able to help you work this through. Don't drag around those things that "encumber" you.
I'm a drag queen who is thoughtful and serious about drag in addition to being funny, ambitious, and glamourous.
The inspiration of my drag is the history of drag, the long tradition of drag queens being at the forefront of queer activism. That informs my drag style, and in a sense, that is the direction we need to go in the future.
'Drag Race' doesn't claim to represent drag as a whole. 'Drag Race' is a reality show. If you see real drag shows, we just do drag and respect each other's art and who your real identity is - name, gender, hair color, anything.
People pull from drag culture because drag artists are - it's the ultimate art form and it's the last underdog art form. I mean, even clowns have college, you know what I mean? Drag queens, you have to learn drag from another drag queen.
At the end of the day, I just love drag so much that it's not enough for me to be a successful drag queen. I want to do right by my drag community as a whole... creating opportunities for other performers, documenting and uplifting amazing drag, and generally just contributing a lot of love and respect to our fabulous little world!
I've loved the RuPaul model of drag, where you're an amazing drag queen, you're a smart and savvy business person, and you use those together to keep drag at the forefront of what people are talking about.
For me and my drag, I think camp is about exaggeration and artifice and the celebration of superficiality. A lot of my fans look up to me as a figure of femininity but that's all artifice. That's all fake and that's campy within itself, and so that's what resonates to me: the seriousness and the funniness and the artifice and the exaggeration.
Personally, I like drag that's a little rough around the edges, drag you can run around in it, drag you can get in the Uber without worrying about!
In 'House of Boys,' I wanted to be in drag. It was amazing to be in the middle of all these drag queens. They did my makeup. I hardly recognized myself! That was very funny.
Most people think they don't have anything to relate to a drag queen, but shockingly there's a lot we can talk about.
Antoine and Sahara Davenport were really able to help me learn about drag. We really fed off each other. Together, we just clicked. We were both part of 'RuPaul's Drag Race,' so we both got to go through this experience together.
There is only one way to read, which is to browse in libraries and bookshops, picking up books that attract you, reading only those, dropping them when they bore you, skipping the parts that drag...
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