A Quote by Violet Chachki

I've always wanted to put my drag character in film because you can have total control over what you're projecting, what image you're portraying. — © Violet Chachki
I've always wanted to put my drag character in film because you can have total control over what you're projecting, what image you're portraying.
As soon as you start making a film that's expensive then the studio wants total control over all elements of it because they want to get all their money back. If you make a smaller film you can try a lot more things because you can have control over it and not just be a hired director. The lower the budget the more freedom you have.
My career always involved being the person in charge of what I was portraying to people. "I never wanted to be an image of something I didn't believe in, an image that somebody else had put together. The idea of that just really scared me, more than the idea of failing.
Saddam, as most tyrants, was a total control freak. He wanted total control of his regime. Total control of the country. And to introduce a wild card like Al Qaeda in any sense was just something he would not do.
I bristle a little when the argument for film gets put into the nostalgia ghetto. Film is still the highest quality and best-looking image capture medium available. I don't think it always will be. The digital image will get better, and it will eventually surpass the quality of the film image, but it isn't there yet.
Drag has taught me that I have deliberate control over my image, and when this notion is applied to one's whole life, it is both powerful and transformative.
I wouldn't say portraying a character in a film like 'Wanted' was easy. But it was fairly easier than playing a role where one is expected to emote more depth on screen.
You are always invested in a film, but there is always a different feeling you get when you are portraying a character that is based on real life and you are re-telling events that actually took place.
I'd always wanted to do a film than TV show because film is always where my heart has been. I like diving into the character for a few months, and then leaving it behind. I love the idea of that.
It's in my nature to want every image of me to be authentic but at the end of the day as a model, I don't always get control over how someone decides to put forth my picture.
It's particularly important for a young woman to be in control of her image - to a certain extent. I mean, there's only so much you can do, because people take photos with you and then all of a sudden they pop up all over the place, they're completely out of context and you have no control over how they're used.
The scariest people to turn a movie over to are always the people who are drawing up the poster, because that's the first impression it's going to make. And very often it's portraying a very different film from the one the actors actually did.
There is something more important than any ultimate weapon. That is the ultimate position-the position of total control over Earth that lies somewhere out in space. That is . . . the distant future, though not so distant as we may have thought. Whoever gains that ultimate position gains control, total control, over the Earth, for the purposes of tyranny or for the service of freedom
I've always been accused by my detractors of some sort of moral failure, cowardice, or even lack of humanity by not portraying the human form. I respond that I do better by portraying traces of character and intentions of human volition that no mug or body shot can ever exude.
I'm in total control. I write the songs, decide what to sing and how to sing. I even control the recording process. But, with a film, there is no control at all.
If you look at the game and everything, it's not quite like looking at an animated film, because that's total character. This, this is really movement, but it's got funny little things if you look for the humor. They're actually getting to the character.
As an actor on a film, you have no control over the final product - your job is to make a director's vision come true. So, you need to have total faith in them and add your own creativity and opinions and energy, but you have to really give over responsibility, and sometimes that can feel terrifying.
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