A Quote by Violet Chachki

I perform in theaters, international stages with people screaming for me, and then I go back to my hotel room, take all my makeup off, and I'm alone. — © Violet Chachki
I perform in theaters, international stages with people screaming for me, and then I go back to my hotel room, take all my makeup off, and I'm alone.
Drag for me is costume, and what I'm trying to do is, sometimes I'll go around and wear makeup in the streets, turn up to the gig, take the makeup off, do the show, and then put the makeup back on. It's the inverse of drag. It's not about artifice. It's about me just expressing myself. So when I'm campaigning in London for politics, I campaign with makeup on and the nails. It's just what I have on, like any woman.
People go to Vegas, and they don't know what to do; here's what you do. You go to the casino in your hotel. On your arrival, you get $100 in quarters. Take that $100 back to your hotel room and stare at it for a long, long time. Why? Because you're never going to see them again. Then you take those quarters to the bathroom and you flush them, one by one by one. And the nice thing about that is that every so often the toilet will back up, and you'll feel like a WINNER!
Stand-up comedy is a really lonely profession: you 'perform for 2000 people, then you go to a hotel room by yourself and stare at a wall.
As my good friend Al Capp told me a few years ago, the best thing to do with a confirmed [hotel] reservation slip when you have no room is to spread it out on the sidewalk in front of the hotel and go to sleep on it. You'll either embarrass the hotel into giving you a room or you'll be hauled off to the local jug, where at least you'll have a roof over your head.
You come off of this screaming audience of many, many thousands of people. I used to find it very weird. You have two choices. Either you can stay and pump flesh with hundreds of people after the show, which really gets old, or you can come off stage, get into the car, and go straight out the back and away, back to the hotel.
I am a wild orchid of comedy, so I can only do well under specific conditions... There are people who I think can do any room, and do stadiums and thousand-seat theaters, and then there are people like me who just perform for my parents.
It's the worst feeling, coming back after a performance when you are on a real high, and you go back alone to an apartment or a hotel room. People think we sit in hotels and eat bon bons. But the lifestyle can be very stressful.
Film, for me, is in two stages. One is when I write the script more or less on my own - that's the nice bit. And then comes for me the unpleasant bit when they all go off, 100 people - actors and camera people and film and sound - and I stay away. When they go into the editing room, I come in again, and that's the bit I like.
I had one guy pretend to be me, go to a hotel room, and tell the people at the front desk that it was me, and then he went in and stole all of our luggage. There's always that eager beaver that wants to be a part of the team and comes off as a sticky fly.
I've stayed in so many hotel rooms that I'm shocked if, when I stay in a hotel room, the hotel phone isn't on the desk. Then I'm like, "This isn't a real hotel room." If there's not outlets next to the desk, or if they have an iPhone adapter for an iPhone 4, that's when I'm sitting there annoyed. I understand that it's ridiculous, but that's just me spending way too much time in hotels.
She left me the way people leave a hotel room. A hotel room is a place to be when you are doing something else. Of itself it is of no consequence to one's major scheme. A hotel room is convenient. But its convenience is limited to the time you need it while you are in that particular town on that particular business; you hope it is comfortable, but prefer, rather, that it be anoymous. It is not, after all, where you live.
Sometimes, literally within a few minutes, you'd be off this amazing roaring scene and back at your hotel room, staring at the patten of the wallpaper. It's very surreal. You're back in your room, and it's dead quiet and really weird.
I've been given an amazing opportunity and I could not be more grateful. But I also know that all this will eventually die off. It's not real. It will go away and then you'll go away and then, I don't know, I'll be left sitting in some English hotel room.
Small hotels are going to be in vogue. In my view, small is going to be the new big, wherein people will rethink a lot about going back to that 1,000-room hotel versus going to a 40-room niche hotel.
Before I go to bed, I brush my teeth and take off all my makeup. I like to use Neutrogena's makeup remover wipes.
For filming, we have to wear a lot more makeup than we usually would. At night, I have to go home and take off all the makeup and take my hair out from my bun and just get out of the dancewear and everything.
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