A Quote by Violet Chachki
The costume world - whether it be movies, television or drag - and the fashion world have this weird, ugly stepsister, love/hate relationship. I'm somewhere stuck in the middle of it, and it's so much fun.
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Movies are weird; it's like trying to make a painting with one hundred people. It's a weird world, but every job is weird; it's always a little bit hard, crazy and fun, a nice combination.
At the end of the day, I just love drag so much that it's not enough for me to be a successful drag queen. I want to do right by my drag community as a whole... creating opportunities for other performers, documenting and uplifting amazing drag, and generally just contributing a lot of love and respect to our fabulous little world!
We humans have a love-hate relationship with our technology. We love each new advance and we hate how fast our world is changing... The robots really embody that love-hate relationship we have with technology.
People love to hate. I have a love-hate relationship with the world. The world loves to hate me.
People like to stir up the fashion vs. costume world, and I think what they mean by 'too costumey' is that it's too much, or not real enough for everyday wear. You couldn't say that about John Galliano's shows, right? I mean, they're awesome, and they're total costume.
I have always worked a bit with fashion people. I worked with Issey Miyake for a while, then Dolce & Gabbana; now we're working with Valentino. It's fine. The fashion world is a fairly weird world, but there are good people in it. It's weird because their timetables are unbearable.
I just love writing. It's magical, it's somewhere else to go, it's somewhere much more dreadful, somewhere much more exciting. Somewhere I feel I belong, possibly more than in the so-called real world.
The tragedy of this world is that no one is happy, whether stuck in atime of pain or of joy. The tragedy of this world is that everyone is alone. For a life in the past cannot be shared with the present. Each person who gets stuck in time gets stuck alone.
The great crime which the moneyed classes and promoters of industry committed in the palmy Victorian days was the condemning of the workers to ugliness, ugliness, ugliness: meanness and formless and ugly surroundings, ugly ideals, ugly religion, ugly hope, ugly love, ugly clothes, ugly furniture, ugly houses, ugly relationship between workers and employers. The human soul needs actual beauty more than bread.
The world of fashion. I'm interested in the world, not in fashion! But, maybe I was too quick to put down fashion. Why not look at it without prejudice? Why not examine it like any other industry, like the movies for example?
I loved everyone who said yes to the world and tried to make it better instead of worse, because so much in the world was ugly- and just about all the ugly parts were due to humans.
Artists freeze themselves into these weird postures that are meant to be impressive and involving, then they fling them out into the world like Polaroids, and then they move on. And I'm stuck in this intense relationship to the Polaroid.
I really feel that's part of why audiences go to movies now is to take you to a world you have no access to, whether it's the world of Avengers or Middle-earth or bars in Boston you would be afraid to go into. You see characters there - they aren't hobbits but they're close.
To the fashion world, a man in a dress will always be camp. But in the drag world, you have specific genres. So for me, for instance, I'm most categorized as a 'look queen.'
I come from what we call the pre-'Drag Race' drag world where I didn't start doing this with aspirations of being a reality television star, or this going any further than the small smoky bars of Pittsburgh.
'All Stars' is a weird game. The rules are weird. However, I think 'All Stars' mirrors the real industry much more closely than normal seasons of 'Drag Race' do. In the real world of entertainment, it really is about the impressions you leave on your brothers and sisters in the room, and that's kind of what it is about.
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