A Quote by Violette Leduc

I was afraid of having to present my big nose to strangers. — © Violette Leduc
I was afraid of having to present my big nose to strangers.
I'm not afraid of anyone. I'm not shy about anything. Not even my big nose.
There was always a minority afraid of something, and a great majority afraid of the dark, afraid of the future, afraid of the past, afraid of the present, afraid of themselves and shadows of themselves
In the beginning, you know, everyone told me, 'Your eyes are too small, the nose is too big, you can never be on a magazine cover.' But, you know what? The big nose is coming with a big personality.
I always thought Cyrano De Bergerac was a coward. He could fight a hundred swordsmen, but he was afraid of his nose, and he was afraid of Roxanne. Jam as cowardly as anybody about facing my fears. So, you spend your you years as an artist fighting those hundred people that you happen not to fear. Then you wake up one morning and realize all this time you're afraid of your nose. That's what you're going to have to face for the rest of your life. And you don't feel very courageous. But, if you don't face it, you dry up as an artist.
My chin's too big. And my nose - my nose is funny.
It's Toby Jones playing Alfred Hitchcock, not Alfred Hitchcock. We all felt that his silhouette was crucial, so his nose and lips were crucial as well. We had to build it out a bit to get the silhouette. But, with my nose being so small within the proportion of my face, the first nose was too big. I felt like a nose on parade.
We're just afraid, period. Our fear is free-floating. We're afraid this isn't the right relationship or we're afraid it is. We're afraid they won't like us or we're afraid they will. We're afraid of failure or we're afraid of success. We're afraid of dying young or we're afraid of growing old. We're more afraid of life than we are of death.
I'm not really afraid of things that are imaginary. I enjoy it. I enjoy big narrative, and I enjoy big feelings. Having a feeling is never going to kill you.
Growing up I felt like my nose was big. I was always like, 'I'm going to get a nose job one day'. I'm glad I didn't.
I discovered that people are not really afraid of dying; they're afraid of not ever having lived, not ever having deeply considered their life's higher purpose, and not ever having stepped into that purpose and at least tried to make a difference in this world.
Who's afraid of Virginia Woolf means who's afraid of the big bad wolf ... who's afraid of living life without false illusions.
Poor strangers, they have so much to be afraid of.
I'm writing a poem right now about a nose. I've always wanted to write a poem about a nose. But it's a ludicrous subject. That's why, when I was younger, I was afraid of something that didn't make a lot of sense. But now I'm not. I have nothing to worry about. It doesn't matter.
You weren't afraid of me when I was Wolf," he said. "Why are you afraid of Nathan?" "He's got big feet!" "What?" An insulted-sounding arrroooo came from the other side of the door, a reminder that Wolves also had big ears.
You go to the draft board and think, 'Here's a nose tackle. Who needs a nose tackle?' Well, eight teams in front of you need a nose tackle, and there's two nose tackles. It's something you have to figure out where you can get the players to play in your system.
But there was no hiding from Conscience. Not in new homes and new cars. In travel. In meditation or frantic activity. In children, in good works. On tiptoes or bended knee. In a big career. Or a small cabin. It would find you. The past always did. Which was why... it was vital to be aware of actions in the present. Because the present became the past, and the past grew. And got up, and followed you. And found you... Who wouldn't be afraid of this?
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