A Quote by Virender Sehwag

I am the superstitious kind: I never praise a shot because I fear the moment I do so, the batsman gets out. — © Virender Sehwag
I am the superstitious kind: I never praise a shot because I fear the moment I do so, the batsman gets out.
If you ask me, a batsman has very few opportunities as compared to a bowler. A bowler knows, if he gets hit for a six or a boundary, he has another delivery left to get back and take a wicket. For a batsman, one loose shot, and you are out. A bowler will always have 24 opportunities.
I don't want you to praise me...Some praise me because I am a colored girl, and I don't want that kind of praise. I had rather you would point out my defects, for that will teach me something.
I never thought in my dreams that I would score fifty in One-dayers: not fifty but match-winning knock because One-Day is a kind of format which doesn't suit my batting, as I am not the kind of batsman who can hit big sixes.
Some praise me because I am a colored girl, and I don't want that kind of praise. I had rather you would point out my defects, for that will teach me something.
200 for a batsman is a big landmark, and I have never been somebody who has chased landmarks, but getting a 200 will always be a proud moment for a batsman.
A batsman goes out and is then in until he gets out. This goes on until the last batsman is out, apart from one who is still in and therefore not out.
I was kind of surprised to learn how controlling I am. I never thought of myself in that way. I think the root of the control issues is usually fear, because you want to know what's going to be happening at any given moment.
It's not that I consider myself as a batsman, I am a proper batsman.
It's just never the same. At least for me.It's probably because it's just who I am, I never know what that [truth] is. It's so momentary to go, "Oh, yeah, that's true." That's a fundamental starting point for me - to figure out what's true from moment to moment to moment.
I sometimes feel that I am trying to dig in the world around me. I'm involved in another kind of archaeology to look for another kind of truth, and the moment I find, the moment I am separated from that life, the moment I am sort of in a world, every time I have gone out and performed in the, in the cinema for example, if you do two or three films on the trot you suddenly have this impression that you're becoming separate or separated from the world around you.
I think it’s important to have a good hard failure when you're young. I learned a lot out of that. Because it makes you kind of aware of what can happen to you. Because of it I’ve never had any fear in my whole life when we’ve been near collapse and all of that. I’ve never been afraid. I’ve never had the feeling I couldn’t walk out and get a job doing something.
Of course, every batsman gets out. I know that. It is almost inevitable that no matter what you do, you will get out at some point or the other.
Obviously, when I go in at No. 11 it stands to reason that we will have a better chance of scoring runs or batting out time if the batsman at the other end takes most of the strike. That's because, as my place in the order suggests, he is a better batsman than me.
I'm a very superstitious person. I come from a long line of superstitious people, so it's not going anywhere. For instance, we have this thing on our movies where if one of the key personnel gets a haircut in the middle of the movie, it's bad luck. I swear by that.
For me, the scariest moment is walking on set before we shoot the first shot, and I am so anxious. It's a lot of pressure, and it's scary, and I don't think that fear ever goes away.
I'll never forget the moment when I saw a red light go on, on the camera, and that image translated to the monitor, and then a different light went on and the shot changed, and I went, "Wow, that's how it's done! That's how that gets to my TV! This is what I want to do with my life!" I literally had that moment of epiphany, at eight years old.
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