A Quote by Virgil Abloh

I have this overriding principle that streetwear could end up like disco: that it will be perceived well at the time but doesn't age well at all. — © Virgil Abloh
I have this overriding principle that streetwear could end up like disco: that it will be perceived well at the time but doesn't age well at all.
What relationship could exist between the lives of the fools and healthy rabble who were well, who slept well, who performed the sexual act well, who had never felt the wings of death on their face every moment - what relationship could exist between them and one like me who has arrived at the end of his rope and who knows that he will pass away gradually and tragically?
If you put the collections together, whether it's Rick Owens, Alexander Wang, or whomever, sometimes they do streetwear, but they're never called that. They're always called 'sportswear' or 'high-end' or 'luxury.' I feel like I'm tossed into that streetwear category so that I don't exist in this space.
As a late teenager, the punk movement pushed me further. In particular, the Clash, which happened to leak through the time of disco, showed me that there was this cross-cultural sound that could cut across genres and audiences. Like punk was to disco, rap music was a rebellion against R&B, which had adopted disco and made it worse.
If you wanted to design a robot that could learn as well as it possibly could, you might end up with something that looked a lot like a 3-year-old.
People can do bad things with free speech as well as good. You have to defend the Ku Klux Klan as well as Martin Luther King. It's like that. If you're going to defend the principle, then you have to defend people who use the principle badly.
'Spectrum' is in part a disco song. But we play it hard, and it's a real euphoric, wailing tune. It's kind of like a total house anthem, in a way, but it seems to be going down really well. We've got all the grunge kids going mad for disco house raves.
Streetwear for me is what I was raised wearing in London, and my style influences growing up were always people who wore streetwear.
This is the kind of fashion I grew up on - a good pair of trainers, great denim - and I will always love high-end streetwear.
I think the race went as well as it could and I drove well to finish sixth. The chassis is working better and through the corners we are more or less there; we'll move onto Europe and see if we can get further up the grid and keep improving. The weekend went pretty smooth for me until the end of the race, I don't know what happened, but the team will have a look at it.
I will say this: The overriding feeling that I have is that I want to go up there and do my job well and then come back and tell a great story about a great mission and a great team so that people have something to look up to and look forward to.
It has been our experience that if a young man decides to go on a mission, he can not only play well when he returns, he will often play better. If an athlete could play well before he went on a mission, he will definitely play well when he returns; and, if an athlete could not play well before his mission, he probably won't play well when he returns. However, his chances of playing well are perhaps better if he goes because he will return with . . . better work habits, and a better knowledge of what it takes to be successful.
I make no pretence at being well-versed in politics - it is all too often about personalities and emotion - but I do know a thing or two about our constitution, as I once trained to be a lawyer. Even a first-year law student learns that an overriding principle is that parliament is sovereign.
I was able to draw a lot from my own childhood, my friends' childhoods as well and my daughters' friends who are like my children as well. They multiply all the time. So you can have everything and say I can get all this done and then late at night one of your kids have a freak out about school or an assignment you end up staying up til 3 in morning helping them through it. Or somebody gets sick or has a crisis.
I've always felt like an outcast. My aesthetic is very high-end, but I still get classified as streetwear. There's really no other reason for than other than my age, the way I look, and where I'm from.
I knew I wanted to be an actor, and I didn't necessarily need or want to be famous or a celebrity actor. But I wanted to be somewhere where there would be no ceiling on what I could accomplish, and I felt like if I stayed in St. Louis I might have a really great regional theater career or something, but that I wasn't going to be able to get much further than that. And it felt like New York and L.A. were the two places where you could end up being a TV star or you could end up doing regional theater, which would have been fine as well.
During the time that my recording career seemed to be in a slump a music called disco came on the scene and literally took over radio stations as well as having radio stations created to play it which sort of negated my music as well as that of some of my peers.
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