A Quote by Virgil Abloh
The concept with Off-White is that I have no ideal target. It's more about trying to make something for everyone. And I think that's what helps make it unique. That there isn't a specific muse.
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I think I make films to help bolster and feed the part of me that wants to remain in a positive relationship with the world and to engage in it. So hopefully in non-sentimental ways, I'm trying to make something that helps make me happy.
The concept of muse is alien to me. To speak of a muse implies there is a couple in which one person is the objectified passive element - there to help the creative, active, often male part of the duo to create. A muse is very passive. Who wants a muse? I don't want a muse.
If my pictures are about anything at all, I think it's about trying to make a connection in the world. I see them as more optimistic in a certain way. Even though it's very clear there's a level of sadness and disconnection, I think that they're really about trying to make a connection and almost the impossibility of doing so.
I want to make these films that I think other people would be scared to do. I don't think anyone can go off and make a rock opera. I think it's a very specific niche.
I think she's the foundation of everything I've done. I think, definitely, my mother's fear of failure helps make me more resilient and helps make me persevere.
When you set out to create a new product, you usually do not start by trying to think of something completely new. You think of a product or concept that is already 'normal' to the world and then try to make it better. You make it Super Normal.
I think when you're an adult you start to like the very things that make you different. If you obsess about some defect, you make it obvious to everyone, and suddenly everyone is staring at just that defect. It's always like that. The more you hide something, the more it shows. But when you accept your defect, suddenly no one on earth sees it anymore.
There are many readers of the book, who don't know anything about the authors and the artists. There is more than one author. It doesn't matter, if you can't make the reader dive into the story and surround him with that environment and those characters. That's an experience that lasts longer than figuring out who did what. I think that's what makes our working relationship better, it helps us to make a book that feels unique and not like different voices.
I know that me personally I'm different than anyone else, just like our mothers all tell us we're all very special and unique and we are, and I think if an actor can stick to trying to make the character resemble something from their own spirit it will automatically be unique.
I feel like one of my strengths is writing about stories that are unique to me but somehow relate with everyone, and the one thing I've found is that if you make a song wholly unique to you, then you don't have to compete with everybody, because nobody else can make a song like you.
You try to make characters you care about, and I think realism helps. Even though this is a high concept, the characters have got to be real.
When I made 'Monster,' I didn't think about it being about a woman. I didn't think about that she was a lesbian. I was telling a story about a specific person who was tragic and looking for love in the world, and the more I could make her you, the more of a victory.
I think everyone at school experiences some form of bullying. With kids at school, it can be anything - it can be your shoes or the wrong bag or anything. If you are big like I am, you are always going to be a target. So I decided at school to make myself an even bigger target, if you like: to make myself as big as I could be.
There is nothing that's off limits. If people think something is off limits, I make it my business to go make a joke about it; that's my job.
When we think about making the people in the audience happy, or trying to make them feel something, it kind of goes to waste. Usually we have our best skates when we just think about each other, and we just think about being in unison, and think about the program we're trying to do.
I think escapism is something artists write about pretty frequently - it's something everyone can relate to, the concept of wanting something more, wanting to find solace, wanting to have something better.
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