A Quote by Virgil Abloh

I'm always trying to prove to my 17-year-old self that I can do creative things I thought weren't possible. — © Virgil Abloh
I'm always trying to prove to my 17-year-old self that I can do creative things I thought weren't possible.
My 13-year-old self would have beaten up my 17-year-old self because she would be like, 'You're a sellout!'
I think my shows can draw an audience of 12 million because I ask, 'What can make a 7-year-old, a 17-year-old, a 30-year-old and a 77-year-old laugh?'
You know what makes me feel old? When I see girls who are 20-something, or the new crop of actresses, and I think, Aren't we kind of the same age? You lose perspective. Or being offered the part of a woman with a 17-year-old child. It's like, "I'm not old enough to have a 17-year-old!" And then you realize, well, yeah, you are.
I have this theory about us. When we started writing our own songs, we were 17 years old. When you're 17, you write songs for other 17-year-olds. We stopped growing musically when we were 17. We still write songs for 17-year-olds.
You always feel like your 18-year-old self in some sense. And that's what walking through New York on a June evening feels like - you feel like it's Friday and you're 17 years old.
You always feel like your 18-year-old self in some sense. And that's what walking through New York on a June evening feels like - you feel like it's Friday, and you're 17 years old.
I used to travel 200 days of the year. I had to calm it down because I have a 17-year-old daughter going on 30, and a 23-year-old son. I want to be around for them.
It's actually hard for creative people to know themselves because the creative self is more complex than the non-creative self. The things that stand out the most are the paradoxes of the creative self ... Imaginative people have messier minds.
I want to play a role of a 24-year-old woman, not 17-year-old girls. So I have picked a couple of films like 'Butter' to show that. And it's perfectly fine not to do anything for a year if I don't find the right thing.
For the first time in American history, it's not clear whether or not it's smart for a 17-year-old to enroll in college. It absolutely depends on the debt load and the quality of the institution. That is a change from the way things always were and, frankly, the way things always should be. It should always be a good idea to go to college.
It's very difficult to pick a 17-year-old who's had 10 minutes of first-team football. You're talking about replacing senior players with some 17-year-olds who haven't played Premier League football.
I know my 17-year-old self would read my bourgeois fiction, full of metaphors and rhythmic prose, with a sinking heart.
England Under 16, Under 17, Under 18, I played centre-half. But back then, David Moyes thought it was difficult to throw a 16-year-old in there. There was a big hype around me. He wanted me to fulfil my potential; he wanted to get me in as early as possible.
Inside I feel much like a 12-year-old or a 17-year-old who knows big words.
I did not volunteer for the Waffen SS, but was, as were thousands of my year group, conscripted. I did not then know as a 17-year-old that it was a criminal unit. I thought it was an elite unit.
A great tennis career is something that a 15-year-old normally doesn't have. I hope my example helps other teens believe they can accomplish things they never thought possible.
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