A Quote by Virgil Abloh

I hate being up onstage with a microphone. — © Virgil Abloh
I hate being up onstage with a microphone.
When I'm on the microphone and I'm recording, or onstage, or shooting a video, I'm doing my job. When I'm not, I'm being myself.
I missed being onstage behind the microphone. After a while, it was hard to hear another voice singing my lyrics.
I hate touring. But being onstage is one of the absolute best things I know in my life. And it is so good, it makes up for all the bad.
I have this very abstract idea in my head. I wouldn't even want to call it stand-up, because stand-up conjures in one's mind a comedian with a microphone standing onstage under a spotlight telling jokes to an audience. The direction I'm going in is eventually, you won't know if it's a joke or not.
Some people love being onstage and really open up, and I'm sort of the opposite of that. I don't crave the spotlight. I'm still not comfortable even talking onstage.
I don't hate myself anymore. I used to hate my work, hated that sexy image, hated those pictures of me onstage, hated that big raunchy person. Onstage, I'm acting the whole time I'm there. As soon as I get out of those songs, I'm Tina again.
It's easy to be silly in real life, but making stuff up onstage, that seemed hard. Better to be the funny person off-the-cuff in the room than to risk being unfunny onstage.
The best time for gum is just before getting onstage. I need a minty-fresh microphone.
I love being onstage, whether it's dancing or acting - there's just something about being onstage.
For years, I was stuck behind a keyboard rig. When I started playing guitar onstage, it was a bit of a release - not to be stuck in one spot the whole night. It's really enjoyable having the freedom to move around. You just have to remember to end up somewhere near a microphone.
I will say that, I, being a Jew, experience unease before I go onstage; and after I go onstage, and in general. But luckily the forty-five minutes to an hour that I'm onstage I usually forget everything else and I just press play.
White hate crimes, white hate speech. I still try to claim I wasn't brought up to hate. But hate isn't the half of it. I grew up in the vast encircling presumption of whiteness - that primary quality of being which knows itself, its passions, only against an otherness that has to be dehumanized. I grew up in white silence that was utterly obsessional. Race was the theme whatever the topic.
I have three phobias ...: I hate going to bed, get up and hate hate being alone.
What we do every day onstage, there's lights, there's lots of other musicians, there's an audience, there's a microphone and mic stands - layers of the onion we have to kind of hide behind.
There are a bunch of talented bands out there... So yeah, I often think, 'Why aren't these people onstage and why do I have a microphone?'
Going onstage without my primary instrument is like being a guitarist and going up onstage with no guitar waiting for you. What do you do? That's why performance is painful for me, because I feel like I am always in a strange place with a bit of a handicap.
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