A Quote by Virgil Abloh
For me, just as a social recorder of 2016, there's a new girl that emerged that can shop in between Zara and designer and still maintain a sense of her personality and identity.
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I don't shop just high-end, honestly. I shop at Zara, I shop at Topshop, I shop at H&M. I shop everywhere.
The designer [...] has a passion for doing something that fits somebody's needs, but that is not just a simple fix. The designer has a dream that goes beyond what exists, rather than fixing what exists. [...] The designer wants to create a solution that fits in a deeper situational or social sense.
Besides the things I asked [Indira Gandhi], she told me about her son Rajiv, who is married to an Italian girl and is a pilot for Air India, then of her younger son Sanjay, who is an automobile designer and still a bachelor.
When I went to my first CMA Fest, I wanted to be an artist, but I was such a fan girl - I still am - and the two people I waited in line to meet were Taylor Swift and Lady Antebellum. Taylor, I haven't gotten to sit and talk with her as much as I hope I get to one day, but even with her just supporting me on her social media has been incredible.
My daughter has always had a strong sense of her own identity. From the day she was born her father and I were in love with and in awe of her and still are.
The words graphic designer, architect, or industrial designer stick in my throat, giving me a sense of limitation, of specialisation within the specialty, of a relationship to society and form itself that is unsatisfactory and incomplete. This inadequate set of terms to describe an active life reveals only partially the still undefined nature of the designer.
It was quite unusual to use the recorder as a concert instrument. But my mother, a pianist, actually helped me a lot by assuming that anything done on the piano can easily be done on the recorder! She helped me with technique and was just as critical about my playing as she was with her own. I think that has been one of my fortunes.
With the traditional six-month lead time on the delivery of international show content, designer collections can be outpaced by the so-called fast fashion chains. H&M, Topshop and Zara, or even Target and J. Crew, would have their versions for sale before the designer looks hit the stores.
That adolescent me, the girl who was, as I remember her, insecure, unsure, dreaming, yearning, longing, that girl who was hard on herself, who was cowardly and brave, who was confused and determined-that girl who was me-still exists. I call on her when I write. I am the me of today-the person who has become a woman, a mother, a writer. Yet I am the me of all those other days as well. I believe in the reality of that past.
My mother likes to say that I was conceived to shop - not just born to shop. My whole life as a child was following her and her sister and friends around on her shopping trips.
The difference between me as Brian Warner or Marilyn Manson is just words. Same personality, sensibility, sense of humor, behavior. He is me.
Going back to my mother's passing, there was no way I could hold back my tears or sense of grief at knowing her physical presence left the planet. Working consciously with such an in-my-face overwhelmingly painful loss, I was able to process it to the point of accepting that although my relationship with her would be different, I could still sense and celebrate that there was no separation between our spirits. Being present and open to each stage of grief eventually led to her visiting me in my dreams and a tangible sense of her presence.
When man faces man the one attempts to put the other to sleep and the other continuously wants to maintain his uprightness. But this is, to speak in the Goethean sense, the archetypal phenomenon of social science. This sleeping-into we may call the social principle, the social impulse of the new era: we have to live over into the other; we have to dissolve with our soul into the other.
If a girl breaks up with me, I want her to just die, just be dead. Not 'cause I hate her so much as it's just easier for when my friends go, 'Hey, what happened?' 'Oh, she's dead. I'd still be with her, but she's dead. What can I do? She was loving me, but she's dead.'
The needs of children during adolescence are particular and acute. They need an opportunity to develop a sense of identity and to maintain the sense of security that emanates from group acceptance.
I want Violet to be proud of every little thing that is her - her hair, her body. We're all different, and from early on, I've always said she has a very confident personality, and I want her to maintain that.
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