A Quote by Virgil Abloh

As a young designer in tune with culture, I'm interested in the lifeline of trends. — © Virgil Abloh
As a young designer in tune with culture, I'm interested in the lifeline of trends.
I personally have no shame in saying I am extremely interested in fashion. I am not as interested in trends. I won't go on Style.com unless I'm looking for stuff to wear to an event, or there's a designer I am interested in.
Anyone interested in the world generally can't help being interested in young adult culture - in the music, the bands, the books, the fashions, and the way in which the young adult community develops its own language.
As a designer, you've always got to push yourself forward; you've always got to keep up with the trends or make your own trends. That's what I do.
When I was a young artist, I liked and was interested in belonging to the mainstream comics group. I didn't introduce myself as an author, but only as a designer.
I feel like there are moments where musicians may be more interested - or culture in general - to show roots and where one comes from. And later there comes a time where that has lesser importance for artists, and instead they become more interested in affiliating themselves with global or international trends. Fortunately, we were in the right place at the right time, and that allowed us to experiment, play and enjoy.
When I was a young artist, I liked and was interested in belonging to the mainstream comics group. I didnt introduce myself as an author, but only as a designer.
If you've taken the job to be the stylist for a collection, then I think it's important for you to really listen to the designer and look at the board. Look at the wall, look at what the designer is interested in, and then move on to that. But the designer also must not lose sight of the reason for their point of view. Otherwise it won't come across.
Trends in culture all serve a purpose and that's always indicative in fashion and music, you can always tell what's going on culturally in the mindset of the young generation if you look at those mediums.
A lot of artists are good cooks as I'm too, but coming from a culture that was very concerned with food, I was very interested in that from the start. If you're interested in food, you're interested in lots of different aspects of culture. And it's like being interested in the music from a certain area, or writing, or whatever-food is part of that, too.
If I was a fashion designer just following trends or designing for celebrities, I would not be fulfilled.
Here we must distinguish between society and culture. A society can be interested in a man or woman only as a political or economic entity; a culture is interested in more. Culture means literally "to cultivate" or "to care for." Cultures care for their peoples as natural, spiritual beings and not simply as workers or consumers.
Women in the U.S. are influenced by the same trends - popular culture, runway trends, etc. - and our hypothesis is that she's quite anxious to be able to buy products in her town that perhaps she hasn't been able to in the past.
I read a lot of Icelandic sagas when I was young. I've always been interested in the Viking culture.
The Trevor Project provides crisis-intervention and suicide-prevention services to lesbian, gay, bisexual, transgender, and questioning teens and young adults. It's truly a lifeline to so many young people who just need someone to listen to them.
If you find something that you're excited about and you're interested in, my advice to young women and young men would be do what you're really interested in and what drives and motivates you.
How a designer gets from thought to thing is, at least in broad strokes, straightforward: (1) A designer conceives a purpose. (2) To accomplish that purpose, the designer forms a plan. (3) To execute the plan, the designer specifies building materials and assembly instructions. (4) Finally, the designer or some surrogate applies the assembly instructions to the building materials. What emerges is a designed object, and the designer is successful to the degree that the object fulfills the designer's purpose.
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