A Quote by Virginia Dwan
The gallery closed its doors in 1971. I could no longer psychologically handle the needs of 12 artists. I cared about all of them, and what was happening with their careers. I'm just not a person who can do that indefinitely. And tax-wise I was concerned because they gallery wasn't making money; it was losing money.
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I've been collecting photos for a long time, I mean since I started making money. But what you have had to go through to find a good photo is like a needle in the haystack sometimes. You'll drive from one gallery to the next gallery to the next gallery. It's not an easy process. It's a very ancient model that just hasn't caught up with the times.
When I stepped back from the gallery I was in a phase where I thought I wasn't going to be making work for a gallery context for a while. People were like, "You should never leave a gallery if you didn't have somewhere else to go," but I wasn't trying to disrespect the gallerists in that way.
I never cared about money because I never needed money, you know what I mean? When I was 12 to 17 I never saw any of the money, so the money never motivated me.
I did a different size of photograph at the FIAT gallery - this time the images are 30" by 40," so they're maybe like four times the size of images I've shown before in a gallery. I just saw them now, and once they're in the mat and the frame, they're just beautiful. It's funny because even though it's closer to life-sized, to me anyway, they become not necessarily anymore about the person, but they almost become a little more heroic.
I think artists are really the root of a tree. They can search for truth or reality in their own way, and the gallery can support them - the outside part of the tree, where it is more about reaching the outside world, connecting with the outside world. That is the role of the gallery, no? Why does the artist have to do that?
Others like City Hall the old way, when they could make deals behind closed doors with your tax money.
If I have a piece that's solely based on the web and it's going to also exist in a gallery, it needs to exist in a gallery where it doesn't feel redundant.
The nice thing about the gallery shows is that without having to pay any money you can just go and see it.
The city's the best gallery I could imagine. I would never have to make a book and then present it to a gallery and let them decide if my work was nice enough to show it to people. I would control it directly with the public in the streets.
We have to band together, but the thing in America is that people are terrified of losing their jobs... Maybe California needs to secede. The only thing that'll make any difference is the money... Tax dollars and losing that amount of money. It's one of the most economically powerful states, isn't it? That's where it hurts.
It's silly to have as one's sole object in life just making money, accumulating wealth. I work because I enjoy what I'm doing, and the fact that I make money at it - big money - is a fine-and-dandy side fact. Money gives me just one big thing that's really important, and that's the freedom of not having to worry about money. I'm concerned about values - moral, ethical, human values - my own, other people's, the country's, the world's values. Having money now gives me the freedom to worry about the things that really matter.
A wise person does not undertake any business with the risk of losing the capital money in search of making a profit.
An enlightened person or business is not concerned primarily with making money, because when you are concerned with making money you want the future more than the present. Whenever you want the future more than you want the present, true intelligence cannot flow into what you do, because it can do so only when you are totally aligned with the present moment.
If we actually supported these gay artists and pumped money behind them the same way they pump money behind these divas, a conversation of homophobia in hip hop wouldn't be. Because I would have the money and the revenue coming in. It's not about homophobia or who's going to push back. It's all about who's supporting you and where there's money from.
I remember when I went to a gallery in Paris at one point, they had drawings of earthworks set in different places. I asked the person sitting at the gallery desk where these works were - where in France they could be found. She looked at me in horror as if I'd asked something completely insane. She said, "Well, of course, these works don't actually exist. They're concepts."
There are some souls so base and filthy that they love gain and interest as noble souls love fame and virtue, knowing one pleasure only, that of making money or of not losing it; anxious and avid for their ten per cent; entirely preoccupied with what is owed them; forever concerned about the depreciation or discredit of money; buried, and as it were engulfed, amid contracts, title-deeds and parchments. Such people are neither parents, friends, citizens or Christians, nor, perhaps, even men; they merely have money.
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