A Quote by Virginia Dwan

I enjoyed cross-country road trips. And I found the work challenging because it was art that existed on the land rather than mere concepts in a gallery or photographic documentation, or any of the paraphernalia that can be used to indicate that. The art was on the land.
Most of my work comes from ideas. I can usually do only a few versions of each idea. Land Art and Body Art were particularly strong concepts which allowed for a lot of permutations. But nevertheless, I found myself wanting to move onward into something else.
Public art is a unique type of art. It's very different to gallery art because it is something that we pass by every day and it inevitably creates a lot of discussion in a way that gallery art does not.
In 1967 there was no place for photography in a contemporary art gallery. It was almost impossible to get an art dealer to look at, let alone exhibit, anything photographic.
The definition of public art to me means everything and means nothing because for me, all art is public. Art has to be public by definition and in a way It has to be accessible to any audience not just a work in a museum or an art gallery.
A work of (whatever) art can be either 'received' or 'used'. ...'Using' is inferior to 'reception' because art, if used rather than received, merely facilitates, brightens, relieves or palliates our life, and does not add to it ... When the art in question is literature a complication arises, for to 'receive' significant words is always, in one sense, to 'use' them, to go through and beyond them to an imagined something which is not itself verbal.
I view all art as an effort to translate brain concepts into a work. These brain concepts are synthetic ones - the result of many experiences. But a single work of art, or even a series of works, more often than not cannot translate these synthetic concepts adequately. Yves Saint Laurent once said that he suffered greatly when creating. He is not alone in that. Most artists do the same and say as much.
The art of land doctoring is being practiced with vigor, but the science of land health is yet to be born.
Aboriginal art and culture draws from the land, for Aboriginality and the land are essential to each other and are inseparable.
Art shouldn't be something that you go quietly into an art gallery and dip your forelock and say 'I have to be very quiet, I'm in here amongst the art.' It's here, art's everywhere. It's how you use your eyes. It's about the enjoyment of visual things. And it's certainly not for any one group of people.
You land at LaGuardia, you land at Kennedy, you land at LAX, you land at Newark, and you come in from Dubai and Qatar and you see these incredible - you come in from China, you see these incredible airports, and you land - we've become a third world country.
This land is your land, this land is my land, From California to the New York Island. From the redwood forest to the Gulf Stream waters This land was made for you and me.
Duchamp's urinal was art once he put it in a gallery. In fact, one working definition of art is anything that is in a gallery.
We should be proud that so many want to come to America, that it is still seen as the land of opportunity. Let's make it a land of legal work, not black-market jobs. Let's make it a land of work, not welfare. Our land should be one of assimilation, not hiding in the shadows.
Studying art history is actually one of the few ways of getting a good job in the arts sector. It's hard to be a museum curator without it, work in any senior position in an auction house or gallery, or become a serious art critic.
I grew up in the country, which is probably why I'm so attached to the land. I love it. I love the lay of the land. I love walking the land. And I love knowing that it's my land.
Perhaps... I mean there are people who defend that it as an art. I don't. I like it but it's not an art form as far as I'm concerned, and yet it's a similar thing, once you can't land those jumps, you're disqualified - that precludes it from ever becoming a serious art form.
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