A Quote by Virginia Euwer Wolff
It's true that I had a bucolic, truly peaceful childhood, growing up in a house next to our family's orchard. We had a lot of books and art, but no electricity until I was eight years old. Since then, I have seen a lot of inner-city life, though.
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The 1994 midterms had been a shocking rout for the GOP, which picked up 54 seats in the House and eight in the Senate. No one had seen it coming. The Democratic Congress was supposed to be a permanent fact of life; it had been 40 years since Republicans had controlled the chamber.
I've been writing music since I was about eight. I would write sporadically. I wrote a lot of music in high school. I guess the oldest song on the record ("I Thought I Saw Your Face") is about eight years old. It's the old "I had my whole life to write my first album and six months to write the second one." I did, to some degree, but actually, a lot of the songs that ended up on the record, I wrote really recently. So it varies.
We'd had books in my house growing up, but we had never had anything like lectures. I had never written an essay for my mother. I had never taken an exam. Because I was working a lot as a kid, I just hadn't elected to read that much.
But when I realized it was actually going to be this portrait of the artist, birth to death, I had to then discover who Margaret as a young woman would be. I had to find the different voices for her throughout her life. I had a lot of fun discovering that. I had a lot of fun writing the childhood sections. By imagining her childhood, I was able to come up with this voice that matures as she gets older.
I just love how everyone with that Motown sound seemed to come from a two-block radius from the actual original location. The original location was a house, and then when they outgrew it, they bought the house next door and the house next door and the house next door until they had seven houses on the same lot.
I've had a fairy tale life. I had a perfect family, a beautiful childhood, an incredible upbringing. I lived a lot of life but a lot of good life.
In a way, I had a very good and normal childhood. I had loving and caring parents. But I had a lot of quirks or problems when I was growing up. I had phobias and obsessions.
I was 20 when I was sentenced to death. My life had been on a one-way path to self-destruction for years. I don't remember too much about my early life, but I think I had a happy childhood, growing up in Philadelphia in a loving family with five siblings.
I have had to empty two family homes during the last few years - first, the house that had been my grandmother's since 1923, and then my own country home, which we had lived in for over twenty years.
I have had to empty two family homes during the last few years - first, the house that had been my grandmothers since 1923, and then my own country home, which we had lived in for over twenty years.
We had library books in our house, but not our own. So you had 14 days to read them. There would be eight books a fortnight in our house and I'd read as many of those as I could.
I have been making music since I was a kid. I have written music since I was, like, seven or eight. I was in the studio at 9, 10. So I've had a lot of practice over a lot of years.
A lot of the guys who played in the 1995 final for Ajax had been there since the age of 12 or 13. Patrick Kluivert and Edgar Davids had been there from age seven or eight, so I had a lot of catching up to do.
We had a party with the rest of the skaters in our trailer and then the next day we were off to see Jimmy Carter. And then we had the World Championships the next weekend, so not a lot of chance to catch up.
In real life, I knew that fandom was made up of women, and women of color, and women of all ages. But on the publishing side of comics, it was a lot of white, straight men. It was often jarring to me to be the only women at a meeting or at a panel at a comic-con. Fortunately I had mentors who were not blinded by my gender and who said, "Yes, we know you can write these books." That hasn't been the case for everyone. What gives me great hope is that in the eight to nine years since I've started, I've seen tremendous growth.
We didn't have television until I was about eight years old, so it was either the movies or radio. A lot of radio drama. That was our television, you know. We had to use our imagination. So it was really those two things, and the comics, that I immersed myself in as a child.
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