A Quote by Virginia Madsen

Voiceover work reminds me of old-time radio. When I was little I used to sneak and stay up at night and listen to Mystery Radio Theater - I loved all those old radio plays.
I myself grew up when radio was very important. I'd come home from school and turn on the radio. There were funny comedians and wonderful music, and there were plays. I used to pass time with radio.
When I was on the radio, I used to be able to go a lot farther than I can now. You don't really remember until you're on the radio again, sometimes in your old radio station and sitting with the guys you used to work with and you go, 'Oh yeah, I can't say these things anymore. I'm handcuffed.'
Listen- my relationship with radio on a personal level is nothing but a one way love-a-thon... I love radio, I grew up on radio. That's where I heard Buddy Holly, that's where I heard Chuck Berry. I couldn't believe it the first time I heard one of my records on the radio, and I STILL love hearing anything I'm involved with on radio, and some of my best friends were from radio. But we were on different sides of that argument, there's no question about that.
I used to listen to the radio, and when I was about 18 years old, B.B. King was a disc jockey and he had a radio program, 15 minutes a day, over in West Memphis, Arkansas, and he would play the blues.
I used to listen to the radio, and when I was about 18 years old, B.B. King was a disc jockey and he had a radio program, 15 minutes a day, over in West Memphis, Arkansas and he would play the blues.
When I was a boy, I had a grand, big tape recorder, and I made late-night radio shows with glasses of water and funny voices. I just loved radio plays.
As much as I enjoy TV, I've always loved radio. And I love doing the NFL games, the Monday night games, on radio. Because you are the game. I really enjoyed calling basketball and hockey on the radio, but the presentation is more specific - you're talking all the time.
I still listen to Radio 1. I never really matured or progressed to Radio 2 or even Radio 4, like most of my contemporaries.
My family were symphonic musicians and in the opera. Also, it was my era, the love of radio. We used to listen to the radio at night, close our eyes and see movies far more beautiful than you can photograph.
As a kid I loved to listen to the radio, later I became a radio artiste and would listen to the BBC.
There's no passive success on radio. Well, in radio, one of the ways in which you engage people and make them active listeners and have them glued so that they don't want to do anything else, you have to find ways to incorporate this mystery called the theater of the mind. And it's the one ingredient that radio has that television does not that if used properly, if perfected and learned and executed properly, it can have a much greater impact than TV because it can create a much more intimate, direct connection with the audience.
I grew up in the age of radio. That was my main boyhood form of entertainment: lying on the living room floor with my ears affixed to the radio. I loved shows like 'The Phantom,' 'Cisco Kid,' and even 'Happy Theater' when I was younger.
I've done a lot of radio in my life. I've done radio plays for the BBC when I was young so I was absolutely used to that style of work, of working with the voice. I have a very distinctive voice so it's always great for me because I open my mouth and everybody knows who it is.
When I was very small, maybe 8 years old, we had a big radio that stood on four legs, and it had a cross piece underneath it, and I used to take a pillow and crawl under the radio.
Glenn and I were listening to a radio show in the car, and he said, "Glass Eye Pix should do radio plays." I loved the idea of working in a different medium. We've made comics, books, movies, video games, models, advent calendars, why wouldn't we try audio plays?
When I was 5 years old I would lie in bed, look at the radio, and I wanted to be on the radio. I don't know why.
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