A Quote by Virginia Postrel

Glamour is all about transcending this world and getting to an idealized, perfect place. And this is one reason that modes of transportation tend to be extremely glamorous. The less experience we have with them, the more glamorous they are. So you can do a glamorized picture of a car, but you can't do a glamorized picture of traffic.
Glamour is all about transcending this world and getting to an idealized, perfect place.
Glamorized... am I glamorous?
Since the gangsters are glamorized, by extension the women they sleep with are also necessarily glamorous.
I'm just not the glamour type. Glamour girls are born, not made. And the real ones can be glamorous even if they don't wear magnificent clothes. I'll bet Lana Turner would look glamorous in anything.
I like having my picture taken and being a glamorous person. Sometimes when I find myself getting impatient, I just remember the times I cried my eyes out because nobody wanted to take my picture at the Trocadero.
It isn't glamorous until after the film is finished, and you are at the premiere and getting your picture on the cover of magazines.
The reason for my painting large canvases is that I want to be intimate and human. To paint a small picture is to place yourself outside your experience, to look upon an experience as a stereopticon view or with a reducing glass. However you paint the larger picture, you are in it. It isn't something you command.
The biblical authors wrote of God's sovereignty over His world, and of man's experiences within that world, using such modes of speech about the natural order and human experience as were current in their days, and in a language that was common to themselves and their contemporaries. This is saying no more than that they wrote to be understood. Their picture of the world and things in it is not put forward as normative for later science, andy more than their use of Hebrew and Greek is put forward as a perfect model for composition in these languages.
I chose 'Mr. & Mrs. Smith' specifically 'cause I had just made 'The Bourne Identity' and made a film that glamorized being an action hero, and I wanted to make the exact opposite. I wanted to make a movie that glamorized maintaining a marriage, and that made the action hero part seem easy and made the marriage part seem hard.
The outside world wants me to have glamour; my fans want me glamorous. I won't let them down.
When buyers see the pride of ownership - when they come in, and they're impressed by how clean the place is - they can picture their kids playing on the floor. They can picture the family sitting around the table. When they can picture their own family in that space, instantly you grab them, and they'll pay more money, too.
My idea of a good picture is one that's in focus and of a famous person. People are only glamorous if you don't see them. Like the movies used to make people years ago. There is something about people on screen that makes them so special; when you see them in person, they are so different and the whole illusion is gone.
I find it really frustrating when people go, "I want to be famous and glamorous like you." It's hard for me not to have a bad thought when someone says that to me, since if there's anything this business is not, is glamorous. It's only glamorous for maybe five minutes every now and then.
Red carpet is a little bit scary. It's not about expression. It's about taking a pretty picture in a really weird, awkward way, with so many people watching. It's a glamorous part of the job, but it requires its own kind of courage.
For so many years fashion was shrouded in mystery, this glamorous profession that people knew very little about, they thought it was so glamorous. It now has become so available, with the Internet, with shops like H&M and Target that do designer collaborations, so it's more available to everyone and that's created more interest.
European nations began World War I with a glamorous vision of war, only to be psychologically shattered by the realities of the trenches. The experience changed the way people referred to the glamour of battle; they treated it no longer as a positive quality but as a dangerous illusion.
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