A Quote by Virginia Postrel
Though designed as a mere convenience, clothing sizes establish an unintended norm, an ideal from which deviations seem like flaws. There's nothing like a trip to the dressing room to convince a woman - fat, thin, or in between - that she's a freak.
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When I was thin, I had no notion of what being fat is like. When I worked in a department store, I had sold clothes to women of most sizes, so I should have known; but perhaps you have to experience the state from the inside, to understand what fat is like.
When a philosopher, scientist, or psychologist discusses the discrepancy between the actual and the ideal, he or she attempts to convince us with the tools of discursive thought ... An artist does it differently ... their primary approach is different, even though both groups, if you will, are investigating the actual, the ideal, and the discrepancy in between.
The pressure on women to be thin is like a plague. I have gone through my life, like a lot of women, rating my experiences on the basis of, 'Was I thin at that time or fat?' And it doesn't seem to let up.
I like fat girls. A woman can never be too poor or too fat. I'd take a poor fat girl over a rich thin girl like Kate Moss.
No fashion has ever been created expressly for the lean purse or for the fat woman: the dressmaker's ideal is the thin millionaires.
My passion for fashion originated in my mother's closet. She was a woman who loved fashion. She enjoyed dressing up a lot, and she had a closet that was like her sacred room that belonged only to her. She wouldn't let us go in and play there very often.
Theres a bunch of Elvis Costello records that made all the difference between feeling like a total freak and feeling like ... only a freak. A freak among other freaks
Football is made up of all kinds of conflict. In a dressing room, between players, between us and the manager, between us and loads of people who don't seem to matter. It's constant and harsh sometimes.
My older sister Jemma is naturally slim, at least three dress sizes smaller than me - though I don't want to say what dress sizes we are, because I don't think the number on your clothing label is important.
We are talking about mutated women, the result of cruel genetic experiments performed by fashion designers so lacking in any sense of human decency that they think nothing of putting their initials on your eyeglass lenses. The leading cause of death among fashion models is falling through street grates. If a normal woman puts on clothing designed for these unfortunate people, she is quite naturally going to look like Revenge of the Pork Person.
I like clothes that are fashionable but also have great messages for lifestyle, and 360 does just that - the sweaters are for women of all shapes and sizes and are designed to allow a woman to feel beautiful and chic from the inside out.
I wanted Bow's hair and makeup and clothing to look like a woman who has four children, a career, and a full life. For example, she won't wear eyeshadow unless she's going out. Because it takes a lot of time to put eyeshadow on. She's a woman who has style, but it's all about functionality - she grabs stuff from her closet.
The woman is more intelligent when it comes to the children, when it comes to her role and responsibility as a mother and so on. Then, the man is usually, for example, in the public arena. He is usually good with things like penal code matters, and so he's the one who has to go out and provide, even if the woman is rich. She can stay at home and won't have to lift a finger " it's up to the man to do all the work, and provide her with food, clothing and shelter. The woman is treated like a queen in the home. She is a princess.
A woman at the rear of the room raised her hand. I was focused on the argument now and made a minor social error, which I quickly corrected. "The fat woman-overweight woman-at the back?"
Beauty itself soon fades, and when a woman has beauty and nothing else, well, it's like putting all the goods in the shop window, isn't it? And the moment she loses her good looks-poor creature! what is she? Just a mere bit of faded finery to be thrown aside.
You know, there's a thing about the woman across the room. You see the woman across the room, you think, She's so poised; she's so together. But she looks at you and you are the woman across the room for her.
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