A Quote by Virginia Postrel

In Shakespeare's world, characters cannot trust their senses. Is the ghost in Hamlet true and truthful, or is it a demon, tempting young Hamlet into murderous sin? Is Juliet dead or merely sleeping? Does Lear really stand at the edge of a great cliff? Or has the Fool deceived him to save his life?
Shakespeare without Othello, Lear, Macbeth and Hamlet would be all too much like Hamlet without the prince.
King Lear is undoubtedly the greatest play ever written by Shakespeare - or anybody else for that matter. Hamlet is certainly great, but it doesn't contain as many elements of humanity as we see in Lear.
I saw Derek Jacobi play Hamlet when I was 17, and he directed me as Hamlet when I was 27, and I directed him as Claudius in 'Hamlet' when I was 35, and I'm hoping we meet again in some other production of Hamlet before we both toddle off.
I grew up doing regional Shakespeare, and when Hamlet sees the ghost of his father, there's something about that that you don't really do in film anymore.
We become lovers when we see Romeo and Juliet, and Hamlet makes us students. The blood of Duncan is upon our hands, with Timon werage against the world, and when Lear wanders out upon the heath the terror of madness touches us. Ours is the white sinlessness of Desdemona, and ours, also, the sin of Iago.
You have to get through the Hamlet hoop as a young actor. Your classical qualifications are based on the quality of your Hamlet. And then, as an older actor, you have to get through the Lear hoop. And I'm approaching the Lear hoop.
Hamlet 's character is the prevalence of the abstracting and generalizing habit over the practical. He does not want courage, skill, will, or opportunity; but every incident sets him thinking; and it is curious, and at the same time strictly natural, that Hamlet, who all the play seems reason itself, should he impelled, at last, by mere accident to effect his object. I have a smack of Hamlet myself, if I may say so.
And I just think that to introduce an unknown Shakespeare is thrilling, too - not to do Hamlet or Romeo and Juliet, to do the richer Shakespeare. People will come to this and not know the story.
Most people don't know that I am an accomplished dramatic actor... But I've performed in several Shakespeare productions including Hamlet, except in this version, Hamlet lives in an apartment with two women, and has to pretend he's gay so that the landlord won't evict him.
I'd not really ever expected to play anything like 'Hamlet.' I hadn't seen myself as a natural Hamlet, whatever a natural Hamlet is, and I quickly realised there is no such thing.
Twins are under-represented in the media. Hamlet - never twins. Hamlet Twins Of Denmark. King And Queen Lear. It would work. Come on, more twins on television.
A guy comes home from college to find his mother sleeping with his uncle, and there's a ghost running around. Write it good, it's Hamlet; write it bad, it's Gilligan's Island.
One of the things that makes Hamlet unique among Shakespeare's characters is his courage to face up to the darker elements of his personality.
Cannot you tell that? Every fool can tell that. It was the very day that young Hamlet was born, he that is mad and sent into England." "Ay, marry, why was he sent into England?" "Why, because he was mad. He shall recover his wits there, or, if he do not, it's no great matter there." "Why?" "'Twill not be seen in him there. There the men are as mad as he.
When you are at the right age to play Hamlet you are still to young and immature to play it. It is much later, when you get the life experience and the emotional power, that you understand Hamlet or Macbeth.
What if Shakespeare had had a test audience for Romeo and Juliet or Hamlet?
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