A Quote by Virginia Postrel

The whole point of movie glamour was - and is - escape. — © Virginia Postrel
The whole point of movie glamour was - and is - escape.
'The Matrix' is a movie that is all about glamour. I could do a whole talk on 'The Matrix' and glamour. It was criticized for glamorizing violence, because, look - sunglasses and those long coats, and, of course, they could walk up walls and do all these kinds of things that are impossible in the real world.
For me, glamour was always an escape. When I was a kid, my mother was hospitalized, she was schizophrenic. When she was sick, she wouldn't do her hair or her makeup, and she just looked terrible. But when she got on medication and she was happy, she would go to the beauty parlor and wear makeup. So I really associate glamour with being happy. If you put on high heels and lipstick or get a new outfit, you feel great. It's a celebration of loving yourself, and the whole ritual of it is so great.
I see the whole episode in my memory as if it were a very crisply photographed black and white movie. Directed by Bergman perhaps.We are playing ourselves in the movie version. If only we could escape from always having to play ourselves !
When there are no avenues of escape or one is caught even before any attempt to escape can be made, then for the first time the use of self-defense techniques should be considered. Even at times like these, do not show any intention of attacking, but first let the attacker become careless. At that time attack him concentrating one's whole strength in one blow to a vital point and in the moment of surprise, escape and seek shelter and help.
Faced with today's problems and disappointments , many people will try to escape from their responsibility. Escape in selfishness, escape in sexual pleasure, escape in drugs, escape in violence, escape in indifference and cynical attitudes. I propose to you the option of love, which is the opposite of escape.
Barack Obama has brought glamour back to American politics - not the faux glamour-by-association of campaigning with movie stars or sailing with the Kennedys, but the real thing. The candidate himself is glamorous. Audiences project onto him the personal qualities and political positions they want in a president.
'Con Air' was kind of a turning point for me, in my mind. I never shot anybody in that movie - I never did anything bad - because there were so many bad guys in that movie. I said, 'The hell with this, I'm just gonna be a lovable guy.' I'm like Steve McQueen in 'The Great Escape.'
Its taken 14 billion years for matter to gain the capacity to become conscious of itself. If this is true, it wouldn't make any sense that the whole point of enlightenment would be to escape from the whole process at the very instant that the universe is beginning to awaken to itself.
My scripts are always filled with notes. I like to just analyze everything from the point of view of the whole picture, of the movie, my whole picture.
When I did 'The Great Escape,' I kept thinking, 'If they were making a movie of my life, that's what they'd call it - the great escape.'
It meant that New York philanthropists, New York society, would now rediscover the library. ... that learning, books, education have glamour, that self-improvement has glamour, that hope has glamour.
TV drama - not always, but on the whole - were pretty appalling and very secondary, too. No one expected it to be like watching a movie; that was the point. But I think when you start watching 'Vikings,' it is like watching a movie - you're taken somewhere else.
As a storyteller, when you're writing a movie and when you're directing, you want to keep people entertained. That's the whole point, right? It has to be entertaining.
You could say that Iron Man was a second-tier character, and it turned out very successfully. I simply think it's down to the movie itself, and whether people enjoy the movie, are involved in the movie, and that it entertains them. From that point of view, the movie has to stand alone.
Fantasy is seductive and much more wonderful than reality, but you can't take it to the bank. It's always an escape. And if used as an escape, as in attending a movie or a show for a circumscribed period of time, it's fine. When it starts to become undifferentiated from reality, it leads to big trouble.
The whole point for me is to change as much as possible. If I've done one movie, I've done that, move on.
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