A Quote by Virginia Woolf

A whole lifetime was too short to bring out, the full flavour; to extract every ounce of pleasure, every shade of meaning. — © Virginia Woolf
A whole lifetime was too short to bring out, the full flavour; to extract every ounce of pleasure, every shade of meaning.
I have a short time to play this game. I'm trying to get every ounce of it out of my body.
Every ounce of information we can extract from a killer about his mind and methods gives us more ammunition to track the next one.
If I feel like I've completely drained every ounce of energy out of me for this song, and I can't go any further with it, then I stop, even if the song is unfinished. Most of the time, when it's finished, it's because I've used every ounce of me to write it.
Certainly a curtain has never fallen too soon for me. Every play is too long, even the short ones. Every concert, every film, every television programme the same.
If you listen to Too Short over the years, that's me - I'm not hitting every key or every drum or singing every track - but that's me telling everybody what to do. I like to work with creative people. But when it all comes back, and we're mixing down Too Short songs, I'm right there.
I've never been convinced that experience is linear, circular, or even random. It just is. I try to put it in some kind of order to extract meaning from it, to bring meaning to it.
San Francisco itself is art, above all literary art. Every block is a short story, every hill a novel. Every home a poem, every dweller within immortal. That is the whole truth.
You do not know, you cannot know, the difficulty of the life of a politician. It means every minute of the day or night, every ounce of your energy. There is no rest, no relaxation. Enjoyment? A politician does not know the meaning of the word.
Every man is full of music; but it is not every man that knows how to bring it out.
The secret of good writing is to strip every sentence to its cleanest components. Every word that serves no function, every long word that could be a short word, every adverb that carries the same meaning that’s already in the verb, every passive construction that leaves the reader unsure of who is doing what—these are the thousand and one adulterants that weaken the strength of a sentence. And they usually occur in proportion to the education and rank.
Young people have many pleasures and many sorrows, because they only have themselves to think of, so every wish and every notion assume importance; every pleasure is tasted to the full, but also every sorrow, and many who find that their wishes cannot be fulfilled, immediately put an end to their lives.
My whole life is a practical joke. Every evening and every show has really become about entertaining me. I was always like that. And now I've come full circle because that's what the TV show is too.
Every day has been so short, every hour so fleeting, every minute so filled with the life I love that time for me has fled on too swift a wing.
We begin every act of choice and avoidance from pleasure, and it is to pleasure that we return using our experience of pleasure as the criterion of every good thing.
The task is not to search for meaning, but to bring meaning to every situation you are in.
I think every script has meaningful messages no matter what it is, because inherently life is full of meaning and every single day we lean a lesson.
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