A Quote by Virginia Woolf

Why is life so tragic; so like a little strip of pavement over an abyss. I look down; I feel giddy; I wonder how I am ever to walk to the end. — © Virginia Woolf
Why is life so tragic; so like a little strip of pavement over an abyss. I look down; I feel giddy; I wonder how I am ever to walk to the end.
Man is an abyss, and I turn giddy when I look down into it.
I walk around the school hallways and look at the people. I look at the teachers and wonder why they're here. If they like their jobs. Or us. And I wonder how smart they were when they were fifteen. Not in a mean way. In a curious way. It's like looking at all the students and wondering who's had their heart broken that day, and how they are able to cope with having three quizzes and a book report due on top of that. Or wondering who did the heart breaking. And wondering why.
When you're an actor, you often feel victimized - you see the end result, 'Oh, they didn't use this take; they didn't use that take. How come?' There's no 'How come?' with the director. There's only one person to look at. Walk over to the mirror if you want to know why. But I prefer that.
I wonder if it's ever really possible to know the truth about someone else, or if the best we can do is just stumble into each other, heads down, hoping to avoid collision. I...wonder how many people are clutching secrets like little fists, little rocks sitting in the pits of their stomachs. All of them, maybe.
You always have these moments when projects are over when you wonder if you'll ever work again. In the end, what it comes down to is that it's a fine line between becoming too enamored of your own success and maintaining the confidence to do what you do and do it well. That's the line every actor, if they're lucky, has to walk.
I am the harvest of man's stupidity. I am the fruit of the holocaust. I prayed like you to survive, but look at me now. It is over for us who are dead, but you must struggle, and will carry the memories all your life. People back home will wonder why you can't forget.
What I've realized is that when I walk into a club, I don't feel good, I feel uncomfortable. I wonder what to do, I look for my drink... it's not necessarily an enjoyable experience, so why would I put myself through that?
There's a happiness about me, a confidence and a happiness now that I didn't have when I was younger. You feel good inside, you look good outside. I have a few little gray hairs on my chin, and I kind of like them. I feel like I look like somebody who's having a good life, who's enjoying it a little better than I did before. You can be really good-looking in your twenties but feel miserable, and people just sort of walk away.
Confidence has nothing to do with what you look like. If you obsess over that, you'll end up being disappointed in yourself all the time. Instead, high self-esteem comes from how you feel in any moment. So walk into a room acting like you're in charge, and spend your energy on making the people around you happy.
I’ve been thinking about that ever since. Am I lucky? Am I lucky that I didn’t die? Am I lucky that, compared to the other kids here, my life doesn’t seem so bad? Maybe I am, but I have to say, I don’t feel lucky. For one thing, I’m stuck in this pit. And just because your life isn’t as awful as someone else’s, that doesn’t mean it doesn’t suck. You can’t compare how you feel to the way other people feel. It just doesn’t work. What might look like the perfect life—or even an okay life—to you might not be so okay for the person living it.
If you walk into somebody's office with your hair uncombed and a pick in the back, and your shoes untied, and your pants half down, tattoos up and down your arms and on your neck, and you wonder why somebody won't hire you? They don't hire you 'cause you look like you're crazy!
Own the room. Confidence has nothing to do with what you look like. If you obsess over that, you'll end up being disappointed in yourself all the time. Instead, high self-esteem comes from how you feel in any moment. So walk into a room acting like you're in charge, and spend your energy on making the people around you happy. Giving confidence to others will come back to you and you'll end up feeling better about yourself.
There's a happiness about me, a confidence and a happiness that I didn't have when I was younger. You feel good inside, you look good outside. I feel like I look like somebody who's having a good life, who's enjoying it a little better than I did before. You can be really good-looking in your twenties but feel miserable, and people just sort of walk away.
When I watch the movie, which is I don't know how many times I've done now with editing and everything, I walk out giddy just because I feel like that's the movie that I want to see.
As the skipping rope hit the pavement, so did the ball. As the rope curved over the head of the jumping child, the child with the ball caught the ball. Down came the ropes. Down came the balls. Over and over again. Up. Down. All in rhythm. All identical. Like the houses. Like the paths. Like the flowers
Wonder knows that while you cannot look at the light, you cannot look at anything else without it. It is not exhausted by childhood, but finds its key there. It is a journey like a walk through the woods over the usual obstacles and around the common distractions while the voice of direction leads, saying, 'This is the way, walk ye in it.'
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