A Quote by Virginia Woolf

I got out this diary, & read as one always does read one's own writing, with a kind of guilty intensity. — © Virginia Woolf
I got out this diary, & read as one always does read one's own writing, with a kind of guilty intensity.
Read. Read. Read. Read many genres. Read good writing. Read bad writing and figure out the difference. Learn the craft of writing.
Don't tell girls they can be anything they want when they grow up. Because it would have never occurred to them that they couldn't. It's like saying, 'Hey, when you get in the shower, I'm not gonna read your diary.' 'Wait--are you gonna read my diary?' 'No! I said I'm not gonna read your diary. Go take a shower!'
Read at every wait; read at all hours; read within leisure; read in times of labor; read as one goes in; read as one goest out. The task of the educated mind is simply put: read to lead.
I read the 'New York Times', I read 'The Nation', I read 'Newsweek', I read 'Time Magazine', I read 'Politico', I read 'Mediaite'. This is what I do! I read every day, I have interests, I'm like everybody out there who's watching, who's out there watching, you know?
Read a lot, finding out what kind of writing turns you on, in order to develop a criterion for your own writing. And then trust it-and yourself.
I feel like the books were just written like a movie. You read it and you can just kind of see everything. Before I went in to read with the director, I read the first book and I loved it. I didn't realize how good the writing was. And then I went in and read with Gary Ross, and that was it.
When my own writing needs a perk, I open Zukofsky and read from "A" - particularly sections "22" and "23." It can be opaque, but I love the intensity.
Read. Read. Read. Read. Read great books. Read poetry, history, biography. Read the novels that have stood the test of time. And read closely.
I don't think I've ever googled myself. But I do read some things... I mean, if I know that I was with an interviewer and I kind of figure that he or she got something bad or something good from the interview, then I'll read the piece when it comes out. But other than that, I'd have to have a reason to read it - and, usually, I don't have a reason.
I'm a self-taught musician so how I read music is kind of very weak and I kind of read my own version of tablature, I write my own crappy reminders on what I'm playing.
For me writing is a long, hard, painful process, but it is addictive, a pleasure that I seek out actively. My advice to young writers is this: Read a lot. Read to find out what past writers have done. Then write about what you know. Write about your school, your class, about your teachers, your family. That's what I did. Each writer must find his or her own kind of voice. Finally, you have to keep on writing.
The trouble is, being an actor, you're always being sent scripts, so you've always got something to read. You've always got about three scripts to read, that you have to read, all the time. So finding a book or getting into a book series is hard, especially for me.
I once read Updike after writing a first draft, and I wanted to put my own book on the fire. I've since learned to read utter crap while I'm writing: pulp is the thing.
I read my sister's diary when I was 7. She was, I think, 13. It was awful to read it.
Read, read, read. Read everything -- trash, classics, good and bad, and see how they do it. Just like a carpenter who works as an apprentice and studies the master. Read! You'll absorb it. Then write. If it's good, you'll find out. If it's not, throw it out of the window.
When I read the statements of Christ, there seems to be this urgency and intensity. I guess that's what I get out of it when I read the tone of the Scriptures, which is very different from the tone of our culture.
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