A Quote by Virginia Woolf

But when the door shuts on us, all that vanishes. The shell-like covering which our souls have excreted to house themselves, to make for themselves a shape distinct from others, is broken, and there is left of all these wrinkles and roughnesses a central oyster of perceptiveness, an enormous eye. How beautiful a street is in winter!
I am very fond of the oyster shell. It is humble and awkward and ugly. It is slate-colored and unsymmetrical. Its form is not primarily beautiful but functional. I make fun of its knobbiness. Sometimes I resent its burdens and excrescences. But its tireless adaptability and tenacity draw my astonished admiration and sometimes even my tears. And it is comfortable in its familiarity, its homeliness, like old garden gloves when have molded themselves perfectly to the shape of the hand. I do not like to put it down. I will not want to leave it.
Beauty of form affects the mind, but then it must be understood that it is not the mere shell that we admire; we are attracted by the idea that this shell is only a beautiful case adjusted to the shape and value of a still more beautiful pearl within. The perfection of outward loveliness is the soul shining through its crystalline covering.
There are stories about winter ghosts found tangled like lice in their lovers' hair. Dead people have no hair themselves, which is how they can be recognized in winter. But in summer, the living and dead may pass each other on the street, and no one knows the difference.
There are stories that are true, in which each individual's tale is unique and tragic, and the worst of the tragedy is that we have heard it before, and we cannot allow ourselves to feel it to deeply. We build a shell around it like an oyster dealing with a painful particle of grit, coating it with smooth pearl layers in order to cope. This is how we walk and talk and function, day in, day out, immune to others' pain and loss. If it were to touch us it would cripple us or make saints of us; but, for the most part, it does not touch us. We cannot allow it to.
Until I saw Chardin's painting, I never realized how much beauty lay around me in my parents' house, in the half-cleared table, in the corner of a tablecloth left awry, in the knife beside the empty oyster shell.
There rolls the deep where grew the tree. O earth, what changes hast thou seen! There where the long street roars, hath been The stillness of the central sea. The hills are shadows, and they flow From form to form, and nothing stands; They melt like mist, the solid lands, Like clouds they shape themselves and go.
I think many writers write because it's a convenient way to explain themselves to themselves. We take the chaos and the turmoil and the bullshit of our lives, and we make it into something that has a harmonious shape and sound.
Truth is what every man sees lurking at the bottom of his own soul, like the oyster shell housewives put in the kitchen kettle to collect the lime from the water. By and by each man's iridescent oyster shell of Truth becomes coated with the lime of prejudice and hearsay.
The most extraordinary thing about the oyster is this. Irritations set into his shell. He does not like them. But when he cannot get ride of them, he uses the irritation to do the loveliest thing an oyster ever has a chance to do. If there are irritations in our lives today, there is only one prescription: make a pearl. It may have to be a pearl of patience, but anyhow, make a pearl. And it takes faith and I love to do it.
Glad and merry and sweet is the blessed and lovely demeanour of our Lord towards our souls, for he saw us always living in love-longing, and he wants our souls to be gladly disposed toward him . . . by his grace he lifts up and will draw our outer disposition to our inward, and will make us all at unity with him, and each of us with others in the true, lasting joy which is Jesus.
Fine colour implies a unified relationship, in which each part is subordinate to the whole, and the transitions between them are felt to be as precious and beautiful as the colours themselves. In fact, the colours themselves must be continuously modified and broken as part of the transition.
I am always looking for stories that will shed light on how companies define themselves - for better or for worse. When shared with others, such stories can have an enormous impact on how well we move forward in the changing world around us.
As we walk our individual life journeys, we pick up resentments and hurts, which attach themselves to our souls like burrs clinging to a hiker's socks. These stowaways may seem insignificant at first, but, over time, if we do not occasionally stop and shake them free, the accumulation becomes a burden to our souls.
When he at least reached the door the handle had cease to vibrate. Lowering himself suddenly to his knees he placed his head and the vagaries of his left eye (which was for ever trying to dash up and down the vertical surface of the door), he was able by dint of concentration to observe, within three inches of his keyholed eye, an eye which was not his, being not only of a different colour to his own iron marble, but being, which is more convincing, on the other side of the door.
The core philosophy we share with leaders is that everyone can develop the qualities in themselves. We all have strengths, but where we have gaps, we can make small changes in our behavior that make a big difference in how others see us as leaders.
We are bound to our bodies like an oyster to its shell.
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