A Quote by Virginia Woolf

Wind and storm colored July. Also, in the middle, cadaverous, awful, lay the grey puddle in the courtyard, when holding an envelope in my hand, I carried a message. I came to the puddle. I could not cross it. Identity failed me. We are nothing, I said, and fell. I was blown like a feather. I was wafted down tunnels. Then very gingerly, I pushed my foot across. I laid my hand against a brick wall. I returned very painfully, drawing myself back into my body over the grey, cadaverous space of the puddle. This is life then to which I am committed.
I could also distinguish the glint of a special puddle (the one Krug had somehow perceived through the layer of his own life), an oblong puddle invariably acquiring the same form after every shower because of the constant spatulate shape of a depression in the ground. Possibly something of the kind may be said to occur in regard to the imprint we leave in the intimate texture of space. Twang. A good night for nothing.
Canadians and Americans may look alike, but the contents of their heads are quite different. Americans experience themselves, individually, as small toads in the biggest and most powerful puddle in the world. Their sense of power comes from identifying with the puddle. Canadians as individuals may have more power within the puddle, since there are fewer toads in it; it's the puddle that's seen as powerless.
How did you keep this by you?" Grey demanded abruptly. "You were searched to the skin when you were brought back." The wide mouth curved slightly in the first genuine smile Grey had seen. "I swallowed it," Fraser said. Grey's hand closed convulsively on the sapphire. He opened his hand and rather gingerly set the gleaming blue thing on the table by the chess piece. "I see," he said. "I'm sure you do, Major," said Fraser, with a gravity that merely made the glint of amusement in his eyes more pronounced. "A diet of rough parritch has its advantages, now and again.
Never forget that the subject is as important as your feeling; the mud puddle itself is as important as your pleasure in looking at it or splashing through it. Never let the mud puddle get lost in the poetry-because, in many ways, the mud puddle is the poetry.
If I am pushed I will push back, that is the way I am. I am very British. We don't like to be pushed around. When the chips are down we might have to step into grey areas.
Never let the mud puddle get lost in the poetry because, in many ways, the mud puddle is the poetry.
If you can train your senses to perceive the movement of the minute hand of a clock, what is to stop you for training them to 'slow down' when you look at a tree or a puddle?
I never yet knew the sun to be knocked down and rolled through a mud-puddle; he comes out honor-bright from behind every storm. Let us then take sides with the sun, seeing we have so much leisure.
Ah, Sir, a novel is a mirror carried along a high road. At one moment it reflects to your vision the azure skies, at another the mire of the puddles at your feet. And the man who carries this mirror in his pack will be accused by you of being immoral! His mirror shews the mire, and you blame the mirror! Rather blame that high road upon which the puddle lies, still more the inspector of roads who allows the water to gather and the puddle to form.
To illustrate the vain conceit that the universe must be somehow pre-ordained for us, because we are so well-suited to live in it, he [Douglas Adams] mimed a wonderfully funny imitation of a puddle of water, fitting itself snugly into a depression in the ground, the depression uncannily being exactly the same shape as the puddle.
To me, grey is the welcome and only possible equivalent for indifference, noncommitment, absence of opinion, absence of shape. But grey, like formlessness and the rest, can be real only as an idea, and so all I can do is create a colour nuance that means grey but is not it. The painting is then a mixture of grey as a fiction and grey as a visible, designated area of colour.
When he whom I love travels with me or sits a long while holding me by the hand, … Then I am charged with untold and untellable wisdom, I am silent, I require nothing further, I cannot answer the question of appearances or that of identity beyond the grave, But I walk or sit indifferent, I am satisfied, He ahold of my hand has completely satisfied me.
Now, among the heresies that are spoken in this matter is the habit of calling a grey day a "colourless" day. Grey is a colour, and can be a very powerful and pleasing colour.... A grey clouded sky is indeed a canopy between us and the sun; so is a green tree, if it comes to that. But the grey umbrellas differ as much as the green in their style and shape, in their tint and tilt. One day may be grey like steel, and another grey like dove’s plumage. One may seem grey like the deathly frost, and another grey like the smoke of substantial kitchens.
When I first painted a number of canvases grey all over (about eight years ago), I did so because I did not know what to paint, or what there might be to paint: so wretched a start could lead to nothing meaningful. As time went on, however, I observed differences of quality among the grey surfaces - and also that these betrayed nothing of the destructive motivation that lay behind them. The pictures began to teach me. By generalizing a personal dilemma, they resolved it.
What happened, then? You're stomping through every puddle you can find and look like you're going to punch the first person you see." "Why are you hanging around, then? Aren't you worried about getting hit?" "Aw, you'd never hurt me. My face is too pretty
Remember when i slept with my head in a puddle at your feet? It was humility, or atonement. later your ankle was a pillow and finally you pulled me up and in my sleep i placed your hand above my heart, like i forgot i didn't live there anymore
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