A Quote by Virginia Woolf

Biography is to give a man some kind of shape after his death. — © Virginia Woolf
Biography is to give a man some kind of shape after his death.
Memoirs give the knowledge about the author and his environment. They are different from biography. Memoirs do not get ahead, and the man who writes a biography looks at his future like at a very simple thing.
Every man at time of Death, Would fain set forth some saying that may live After his death and better humankind; For death gives life's last word a power to live, And, lie the stone-cut epitaph, remain After the vanished voice, and speak to men.
On the third day after Jesus' own death, He came out of the grave to give the world a sign it cannot deny. For a man to predict His own death and resurrection was something only God could do.
In these days a man is nobody unless his biography is kept so far posted up that it may be ready for the national breakfast-table on the morning after his demise.
The religious man, the mystic, tries to explore the mystery of death. In exploring the mystery of death, he inevitably comes to know what life is, what love is. Those are not his goals. His goal is to penetrate death, because there seems to be nothing more mysterious than death. Love has some mystery because of death, and life also has some mystery because of death.
But death was sweet, death was gentle, death was kind; death healed the bruised spirit and the broken heart, and gave them rest and forgetfulness; death was man’s best friend; when man could endure life no longer, death came and set him free.
[N]either in war nor yet at law ought any man to use every way of escaping death. For often in battle there is no doubt that if a man will throw away his arms, and fall on his knees before his pursuers, he may escape death; and in other dangers there are other ways of escaping death, if a man is willing to say and do anything. The difficulty, my friends, is not in avoiding death, but in avoiding unrighteousness; for that runs faster than death.
Give me a young man who has kept himself morally clean and has faithfully attended his church meetings. Give me a young man who has magnified his priesthood and has earned the Duty of God Award and is an Eagle Scout. Give me a young man who is a Seminary graduate and has a burning testimony of the Book of Mormon. Give me such a young man, and I will give you a young man who can perform miracles for the Lord in the mission field and throughout his life.
If a man loves you... he's willing to profess it. He'll give you a title after a while. You're going to be his lady, his woman, his fiancee, his wife, his baby's mama, something.
If a man loves you . . . he's willing to profess it. He'll give you a title after a while. You're going to be his lady, his woman, his fiancée, his wife, his baby's mama, something.
Dr. King kept guns in his home to protect himself and his family. After firebombing and numerous death threats by racists, his application for a permit to carry a gun was denied by the 'may issue' white power structure (Democrat) in that time and place. Let the holiday that celebrates this man’s life include some reflection on the importance of the Second Amendment.
Temporal punishments are suffered by some in this life only, by some after death, by some both here and hereafter, but all of them before that last and strictest judgment. But not all who suffer temporal punishments after death will come to eternal punishments, which are to follow after that judgment.
Biography always has fulfiled this role. Robinson Crusoe is a biography, as is Tom Jones. You can go through the whole range of the novel, and you will find it is biography. The only difference between one example and the other is that sometimes it's a partial biography and sometimes it's a total biography. Clarissa, for example, is a partial biography of Clarissa and a partial biography of Lovelace. In other words, it doesn't follow Lovelace from when he is in the cradle, though it takes him to the grave.
We are left with nothing but death, the irreducible fact of our own mortality. Death after a long illness we can accept with resignation. Even accidental death we can ascribe to fate. But for a man to die of no apparent cause, for a man to die simply because he is a man, brings us so close to the invisible boundary between life and death that we no longer know which side we are on. Life becomes death, and it is as if this death has owned this life all along. Death without warning. Which is to say: life stops. And it can stop at any moment.
To plot is to live. […] We start out lives in chaos, in babble. As we surge up into the world, we try to devise a shape, a plan. There is dignity in this. Your whole life is a plot, a scheme, a diagram. It is a failed scheme but that's not the point. To plot is to affirm life, to seek shape and control. Even after death, most particularly after death, the search continues. Burial rites are an attempt to complete the scheme, in ritual. Picture a state funeral, Jack. It is all precision, detail, order, design. The nation holds its breath. - (WN 292)
Leonardo da Vinci was a man of regal spirit and tremendous breadth of mind; and his name became so famous that not only was he esteemed during his lifetime, but his reputation endured and became even greater after his death.
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