A Quote by Virginia Woolf

The poet is always our contemporary. — © Virginia Woolf
The poet is always our contemporary.
Every contemporary poet is a door to another poet.
If the poet wants to be a poet, the poet must force the poet to revise. If the poet doesn't wish to revise, let the poet abandon poetry and take up stamp-collecting or real estate.
I started out as a poet. I've always been a poet since I was 7 or 8. And so I feel myself to be fundamentally a poet who got into writing novels.
It's a big thing to call yourself a poet. All I can say is that I have always written poems. I don't think I'm interested in any discussion about whether I'm a good poet, a bad poet or a great poet. But I am sure, I want to write great poems. I think every poet should want that.
Philip Larkin has a tough honesty and sense of humor that I find irresistible, as a contemporary poet.
There are a whole lot of historical factors that have played a part in our being where we are today, and I think that to even to begin to understand our contemporary issues and contemporary problems, you have to understand a little bit about that history.
The Internet is just one of those things that contemporary humans can spend millions of "practice" events at, that the average human a thousand years ago had absolutely no exposure to. Our brains are massively remodeled by this exposure--but so, too, by reading, by television, by video games, by modern electronics, by contemporary music, by contemporary "tools," etc.
The whole point is to take from our native culture and from contemporary culture without using one art form to mimic the other, so that our native identity remains the native identity, the contemporary identity remains the contemporary identity, and the mixing of these two musical identities creates a third musical identity.
Every American poet feels that the whole responsibility for contemporary poetry has fallen upon his shoulders, that he is a literary aristocracy of one.
My father is a poet, my stepmother is a poet, and so I always had encouragement as a child to write.
No one is a poet from eight to twelve and from two to six. Whoever is a poet is one always, and continually assaulted by poetry.
One of the appeals of William Carlos Williams to me is that he was many different kinds of poet. He tried out many different forms in his own way of, more or less, formlessness. He was also a poet who could be - he was a love poet, he was a poet of the natural order and he was also a political poet.
I go to contemporary galleries all around the world when I can. There's always something historical and something contemporary; those are my rock references.
More than any other contemporary British playwright, Tom Stoppard populates his plays -- from Rosencrantz and Guildenstern Are Dead to The Invention of Love (his portrait of the poet and scholar A. E. Housman) -- with characters from life and literature. But one cannot always tell the difference between those who are real and those who are imaginary.
For some odd reason, the expression 'death of a poet' always sounds somewhat more concrete than 'life of a poet.'
To be contemporary actually means to be an artist. [But] I do not feel contemporary in my work. I perceive my work as old-fashioned. It does not have a frame of actuality in our time or locality.
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