A Quote by Virginia Woolf

That complete statement which is literature. — © Virginia Woolf
That complete statement which is literature.
To give a causal explanation of an event means to deduce a statement which describes it, using as premises of the deduction one or more universal laws, together with certain singular statements, the initial conditions ... We have thus two different kinds of statement, both of which are necessary ingredients of a complete causal explanation.
I was reading everything under the sun from music history to feminist literature to Shakespeare, which is why I'm not a complete idiot at this time.
The embassy in Cairo put out a statement after their grounds had been breached. ... An apology for America's values is never the right course. ... The statement that came from the administration was - was a statement which is akin to apology and I think was a - a severe miscalculation.
Truth is new, as well as old. It has new forms; and where you may find a new statement, an earnest statement, you may conclude that by the law of progress it is more likely to be a correct statement than that which has been repeated for ages by the lips of tradition.
By having simplified what is known, physicists have been led into realms which as yet are anything but simple. That at some time, they, too, will appear as simple consequences of a theory of which no one has yet dreamed is not a statement of fact.It is a statement of faith.
Literature, the study of literature in English in the 19th century, did not belong to literary studies, which had to do with Greek, Latin, and Hebrew, but instead with elocution and public speaking. So when people read literature, it was to memorize and to recite it.
Part of my methodological approach is made explicit when I discuss ways in which literature can have philosophical significance. Literature doesn't typically argue - and when it does, it's deadly dull. But literature can supply the frame within which we come to observe and reason, or it can change our frame in highly significant ways. That's one of the achievements I'd claim for Mann, and for Death in Venice.
It's a big flash of all these things and whatever you take out of that statement's one statement, one mind, one statement, one act, one show, and all the songs are one.
I'm not going to parse the statement. You've got the statement I made earlier and the statement speaks for itself.
Literature was the passport to enter a larger life; that is, the zone of freedom. Literature was freedom. Especially in a time in which the values of reading and inwardness are so strenuously challenged, literature is freedom.
I'm kind of a reluctant Anglophile. My mother's a children's librarian, and all of the children's literature I read was from her childhood - E. Nesbit and Dickens, which isn't children's literature at all, but I was sort of steeped in English literature. I thought I was of that world.
I believe in a kind of literature which makes clear that, at a deeper level, below the surface, we are tied together through invisible but existing threads. A kind of literature which talks about a lively, ever-changing world of unity, of which we are a small, but not insignificant part.
South African literature is a literature in bondage. It is a less-than-fully-human literature. It is exactly the kind of literature you would expect people to write from prison.
No literature is complete until the language it was written in is dead.
In the same period, Polish literature also underwent some significant changes. From social-political literature, which had a great tradition and strong motivation to be that way, Polish literature changed its focus to a psychological rather than a social one.
Truth is that concordance of an abstract statement with the ideal limit towards which endless investigation would tend to bring scientific belief, which concordance the abstract statement may possess by virtue of the confession of its inaccuracy and one-sidedness, and this confession is an essential ingredient of truth.
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