A Quote by Virginia Woolf

This is not writing at all. Indeed, I could say that Shakespeare surpasses literature altogether, if I knew what I meant. — © Virginia Woolf
This is not writing at all. Indeed, I could say that Shakespeare surpasses literature altogether, if I knew what I meant.
It is no exaggeration to say that the English Bible is, next to Shakespeare, the greatest work in English literature, and that it will have much more influence than even Shakespeare upon the written and spoken language of the English race.
When people speak to me of the torment of writing, I can think only of what it was like before I wrote: once writing meant writing and not thinking about writing, I knew nothing of any torment.
Indeed, there is no such thing as an altogether ugly woman — or altogether beautiful.
I liked Shakespeare in high school, but in university I spent a semester studying in London, and it was sort of in the middle of me falling deeply in love with literature, and I took a Shakespeare course with a professor who couldn't imagine anything more important than Shakespeare.
I have always considered The Merry Wives one of the worst plays, if not altogether the worst, that Shakespeare has left us. The wit for the most part is dreary or foolish; the tone is coarse and farcical; and the characters want the fine distinctive touches he so well knew how to give. If some luckless wight had written such a comedy in our time, I should like to see what the critics would say to it?
Writing detective stories is about writing light literature, for entertainment. It isn't primarily a question of writing propaganda or classical literature.
The first forms of writing emerged not for art, literature, or love, not for spiritual or liturgical purposes, but for business--all literature could be said to originate from sales receipts (sorry).
People say that the Bible is a boring book...but they don't say that about Shakespeare, because the people who teach Shakespeare are zealous for Shakespeare.
Mary O'Neal used to say that I was teaching her course in disguise, as she said "in cultural disguise." What she meant was that this really was a very fervent kind of civil rights art course, not altogether art history. It wasn't altogether theory. She called it an action course.
When I started writing a business column 15 years ago, I knew I'd found the perfect job for myself. As a columnist I could pick my own topic, do my own analysis, say what I wanted to say and attribute it to myself. Best of all, I could write in my own voice.
The love of writing comes at a very early age. For me, for instance, comic books so affected me. And a lot of people who come up to me and start talking about writing, when I start talking to them about the "Fantastic Four," they look at me aghast. They say, "'The Fantastic Four?' That's not literature." I say, "Yeah, but it was when I was 11 years old." This was literature.
Mind and intelligence are woven into the fabric of our universe in a way that altogether surpasses our understanding.
In 1600, when Shakespeare's audience at the Globe heard 'Hamlet' for the first time, every one of them knew very well what it meant to be handed a cup of wine by a figure of authority and told to drink.
[Bob Dylan] is principally a recording artist, and if he weren't, it is unthinkable he would have had such an impact. He is to be heard first and read second. Well, what about plays, you could reasonably ask. Is [William] Shakespeare not great literature? Yes, obviously: but his work is great literature even to those who have never known it performed. The same is evidently not true of Dylan.
I agree that one can't dispense with the reins and the whip altogether, for knaves find their way even into literature, but no thinking will discover a better police for literature than the critics and the author's own conscience.
It has seemed to me that literature, as I meant it, was embattled, that it was increasingly difficult to find writing doing what I thought literature should do - which was simply to push people into changing their ideas about the world, and to go further, to encourage us in the work of changing the world, to making it more just and more truly human.
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