A Quote by Vishal Jethwa
I have no problem doing the same type of roles. But those who understand acting technique, and watched me in 'Mardaani 2,' might have observed the nuances, variations I can bring into a character.
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Despite the fact Hollywood classes me as a 'type,' I find the roles broad enough to handle all the acting technique I can summon together.
All my roles are character roles. On the other hand, there are those people who have an inner...I think we all do the same thing. You can't get by on aura alone. That I know. Everyone has to dig in. Everyone has to do the same set of, "What is this about? What is this character doing?" Everybody from Spencer Tracy to Brad Pitt to Jeffrey Tambor.
That mental grind is the same, and this show has to be approached with the same mentality. Rest is paramount. Taking care of my voice and making sure I have the right foods in my body is paramount. Making sure I'm doing my technique work and staying in the script is all substantial. Continually pushing myself to find different nuances in the character on a nightly basis. This is definitely boot camp for me all over again, and Broadway in general is a boot camp for all actors.
In my acting, I have to identify with something in the character. The big tough boy on the side of right - that's me. Simple themes. Same me from the nuances. All I do is sell sincerity and I've been selling the hell out of that ever since I started.
The question "What shall we do about it?" is only asked by those who do not understand the problem. If a problem can be solved at all, to understand it and to know what to do about it are the same thing. On the other hand, doing something about a problem which you do not understand is like trying to clear away darkness by thrusting it aside with your hands. When light is brought, the darkness vanishes at once.
You have to get out of your comfort zone in order to grow. And as an actor, you don't become Meryl Streep by doing the same type of comedy. You get there by being challenged. And unfortunately, there's a lack of roles for women of color, so you actually have to be the engineer creating some of those roles.
I think I'm the same dancer everywhere. But I've learned a lot with Bolshoi - the history of the theater, the technique of the theater, different nuances in my technique.
There's an awful lot to be desired. I've gone to places where people say to me, "What's your technique?" Technique? What the hell technique is there to acting? We're acting because even with my voice I'm giving what I think is what I want to say.
I have roles in plays that I hope that I'll be able to do one day. I might be doing them at, like, the East Wilton Playhouse in wherever. But I think that Edie Falco... to get something even resembling her type of roles, that would be amazing.
In the 1980s, there was no category to stick me in. 'He sounds too smart' is what I was hearing. I realized that I had to become a member of the school of what I call 'ugly acting.' Which meant I wanted to do what Dustin Hoffman did very successfully: to play character roles, but lead character roles.
I don't pick my roles based on what clothes I have to wear. I pick roles because of the character I have to portray, and the public have enjoyed seeing me in those roles.
I really am a guy who can be black and white. I don't understand, too much, the gray. And truly I can go from one type of character to another type of character.
I didn't want to do character roles because when you are doing comic characters, you only get character roles.
Good acting is confused with good dialogue delivery. Acting is about all about performance, and the way we interpret and understand the character that we bring alive onscreen.
Just as it is wrong to work on chess by studying only the first 10-15 moves, so it is wrong to play one and the same opening system, even though it be rich in variations and nuances.
Broadly speaking, there are two kinds of acting: character acting and lead acting. And in my life, to begin with, in the 1980s, it was all character acting. And then when, by fluke, through 'Four Weddings', I got into doing lead parts, it's a completely different thing.
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