A Quote by Vishnu Vishal
I've always admired how closely someone like C.V. Kumar works with the creative team to promote a film.
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I had to pinch myself. I got the call and didn't expect it. And right up 'til nearly the end of filming, I was thinking, 'Am I actually doing a film with Akshay Kumar?' because I was a massive Akshay Kumar fan before, and the first film that I ever watched was his and Katrina's film, 'Namastey London.'
I've always felt that, although Truffaut was greatly revered and admired, at the same time, in terms of film and how much he loved film, he was underestimated.
When you assemble animation teams the way you do a live-action film, you're often struggling a bit to get a cohesive team together, so if you have a team that works well together, you're hoping for another film so that you can refine the team.
I admired actors like Dilip Kumar and Om Puri as a kid and acting was all I ever thought about.
Essentially, it is the director who is the creative head of a film. The final authority on all decisions lies with the director. That is how it should be. And then other team members can give their creative inputs.
If you can sell yourself as someone who knows how Washington works, someone who has these relationships, that's a very marketable commodity. If you're seen as someone who knows how this town works, someone who is a usual suspect in this town, you can dine out for years - that's why no one leaves.
Akshay Kumar and Prabhu Deva are a team that you always want to be a part of.
We frequently hear how essential it is for someone to think "outside the box," but what actually determines one's facility for doing so? In other words, what skills make someone a creative thinker? Typically, creative thinkers can view issues from multiple perspectives, define problems in several different ways, and anticipate likely obstacles. Someone's aptitude for these skills determines how well he or she will perform as a creative thinker.
For an actor working in television or film, I think it's important to understand how the medium works - how the camera and lenses work and how the sound and the editing works.
I look for three things. Number One is does the film promote the beauty and dignity of the human person? Number Two is does this film promote the transcendent moral order? And three, does it promote natural affection?
Promoting a film can get tiring but if you find a clever way to promote it, it can be fun. Also, it is not fair to yourself and the film if you don't promote it. You've worked hard for the film for the past six or eight months and then if you don't give it your all and create awareness among the people then it is not fair.
To spend any time with someone who is among the top five film composers of the last 50 years is pure gold dust. I mean, not necessarily stylistically, because everyone is different in what their music sounds like, but the approach and how to look at a film, how to think about a film, how to decide what you want to do, how to think about characters, how to think about art, how to think about narrative, how to liaise with producers, how to liaise with directors.
'Parava,' in my head, was always a film about children. And I was like, 'If I can be part of the film and help promote it in some way or the other, I'd be very happy.' I also did 'Ann Maria' because it was a story about kids.
Obviously I will promote 'Vaalu.' It is my film. I am the lead actress in it; I play a major part, and I will promote the film.
I would like to use my know how and skills in the film industry to promote Haryanavi culture, language and movies.
The film room teaches you how to do the job, how to study the game, how to teach the game from film. How to create an advantage for your team by knowing your opponent, and all their plays and tendencies. And there's no better guy in the world that I've been around than Jim O'Brien at breaking down film.
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