A Quote by Vishnu Vishal
Most of my movies have been concept based and aimed at a certain audience, but I always wanted to do a film that catered to all.
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I think that because most films where there's a teenager, it's aimed at a teenage audience. Restless is - I wouldn't classify it as a teen film, strictly, but it's definitely a film that appeals to young people, but also gives them credit for their complexity.
I've always been curious what the negotiation is because obviously there's certain movies that every film wants a trailer on, like Star Wars, and I don't know how Disney makes the decisions as to what it does and doesn't put on there. I'm assuming that whatever movies are the same studio as the film get first priority, but then everybody else is fighting for the remaining spots.
If I wanted to do TV full-time, 'Breaking Bad' is definitely the type of project I would want to do. But TV is not my favorite thing in the world. I definitely want to focus on film. It's what I grew up loving. It's always been about movies, movies, movies, movies, movies. I really want to make great films.
I always wanted to do a movie, because I love the movies. They give you a chance to have an intimacy with your audience that is different from stand up. With movies, you can bring the audience in with a close up, and emote in a different way.
My life is one that I've aimed for - I've always wanted to be an actor who worked in film and television and was able to provide for himself and his family.
The film is a romance with songs and dances, aimed at a family audience.
I never wanted the ha-ha-ha laughter [at my shows]. I always aimed for the gut. I always aimed for the pretty girls in the front row, laughing and leaning over and pooting.
I would say that since I was nine years old I've always wanted to write and direct horror movies and action movies. There's never been a time in my life where that wasn't all I wanted to do.
Indians can identify with the Indian sensibilities, and rather than taking something from foreign films, it is always good to make a movie which has been enjoyed by a certain audience or in a certain part of India and make it available to a larger audience.
I always wanted to direct movies. That's what I set out to do. When I was a little kid I just dreamed of making movies, and I went to film school [at Northwestern University].
A movie is made for an audience and a film is made for both the audience and the film-makers. I think that The Game is a movie and I think Fight Club's a film. I think that Fight Club is more than the sum of its parts, whereas Panic Room is the sum of its parts. I didn't look at Panic Room and think, "Wow, this is gonna set the world on fire". These are footnote movies, guilty pleasure movies. Thrillers. Woman-trapped-in-a-house movies. They're not particularly important.
I came out of film school and went after movies that I thought audiences wanted to see or that the studios wanted, as opposed to the movies that I wanted. Over the last 10 years, I've gravitated more and more toward the films that I grew up loving - classic Spielberg, Lucas, James Cameron and Ridley Scott movies.
I wanted to do different movies. I wanted to do deeper movies. More human movies based on human feelings.
I can't do the same movies all my life. I'm conscious of that. But it's a trade-off. 'Dear John' allowed me to do movies I've wanted to do. You learn to balance it out. I'm still learning. Only now am I getting to do the kinds of movies that I have wanted to do. So it's a steady climb. You don't jump into a Soderbergh film.
My life is one that I've aimed for - I've always wanted to be an actor who worked in film and television and was able to provide for himself and his family. That was always a goal of mine. Now that I'm doing that, I think we have this idea, "Once that's achieved, all complaints will leave and I will be happy and be filled!" And I didn't have that.
Movies are pieces of film stuck together in a certain rhythm, an absolute beat, like a musical composition. The rhythm you create affects the audience.
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