A Quote by Vishwajeet Pradhan
I was once in Delhi and one guy looked at me and shouted, 'kutiya, kutiya, kutiya' - it is a dialogue from my film 'Kasoor.' The guy couldn't recall anything else apart from this. It was funny but interesting - it shows the kind of impact my character has made on the audience.
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I feel like I'm still learning the ropes of how television works. Obviously I have good folks surrounding me on different shows. It's funny because sometimes in film I'm sort of the third guy to the left, you can be as insane as you want to be as that guy.
What I've learned in my life, it's a very interesting social study for me, to go back and forth between being the guy at home and being the guy on the road and being the guy in studio and being the guy in the interview. The environment around you has so much to do with your character, and when I'm home, my character really changes quite a bit.
The only time I've ever been mistaken for someone else is - and this arguable still - when a person came up to me on the boardwalk of Ocean City, New Jersey and said, "You look a lot like that guy from computer ads" and I said, "There is a reason because I am that guy," and the guy looked at me for a minute, laughed and said, "That's a funny joke, but you really do look like him." He thought I was not me.
It's certainly more interesting for me as an actor, but I think it's also more interesting for the audience to see three-dimensional characters, rather than just a bad guy or a good guy.
Interesting enough, we had a reunion of the 12 of us who graduated, right? The only one who wasn't there was the guy who became a priest, and he was literally in prison in Libya, for being a Catholic priest. Isn't that interesting? Everybody else made the reunion but that guy.
I got to playing villains-I don't know how. I think it's like anything else, in the movies in particular that if you establish yourself as something and you're lucky enough to keep getting hired. You know, there are guys who play the guy who gets the girl, guys who are the best friend of that guy, there's the funny guy, the villain.
What I remember from [the first meeting with Samuel L. Jackson] was that he was a friendly, animated kind of guy. His screen image is a hard boiled intimidating kind of character. That's what I remembered thinking, 'Boy, this guy seems like a normal guy.'
I'm the guy who will persist in his path. I'm the guy who will make you laugh. I'm the guy who strives to be open. I'm the guy who's been heartbroken. I'm the guy who has been on his own, and I'm the guy who's felt alone. I'm the guy who holds your hand, and I'm the guy who will stand up and be a man. I'm the guy who tries to make things better. I'm the guy who's the whitest half Cuban ever. I'm the guy who's lost more than he's won. I'm the guy who's turn, but never spun. I'm the guy you couldn't see. I'm that guy, and that guy is me.
The only reason I'm ever in character as 'Larry The Cable Guy' is because that's what I'm hired to do. In my movies, obviously they hired 'Larry The Cable Guy' to be 'Larry The Cable Guy.' When I do my shows, I'm 'Larry The Cable Guy.' When I do Jay Leno, it's: 'Please welcome 'Larry The Cable Guy.'
What's interesting about Laurel and Hardy is that in most comedy teams, there's a straight man, and then there's the funny guy. And with Laurel and Hardy, they're both the funny guy.
People like light and silly, and they like stuff that's really energetic, and you get a character in a film bouncing around and screaming, people laugh. That's all it takes. I don't find that funny. To me, what's funny is dialogue and nuance of character and performance.
When you see Robert Englund in a movie, you think he is the bad guy, but if I'm not the bad guy, and I'm supposed to just kind of fool the audience, it makes it a lot easier for whichever actor is the bad guy. So I find myself doing a lot of those, I think they're called red herring characters, faking out the audience.
A character on screen that's the 'good guy' or the 'bad guy,' they're never interesting. There's got to be an internal struggle, the duality is important to find.
There's a guy in the audience with a distinctive laugh. I hope that guy is miked. The only problem with having a distinctive laugh is I know exactly when that guy isn't laughing. "Oh, distinctive laugh doesn't think that joke was funny!"
Doing TV shows helps me a lot in my screenplay writing and filmmaking, especially since my TV shows are in different formats: comedy sketches, talk shows, debate programs, art variety shows, quiz shows. These enable me to meet interesting people with interesting stories and to learn about interesting subjects, all of which I can reflect into film.
OK, I have to admit that I go on TheSuperficial.com. That guy is so funny, he's just so funny... you know, I'm a news junkie, so I regularly flip between HuffingtonPost.com, CNN.com, and a site that's called MyWay.com, which shows me six different news feeds. And I go on DrudgeReport.com about once a day.
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