A Quote by Vishwajeet Pradhan
I played a eunuch in 'Shabnam Mausi' with Ashutosh Rana and no one even knew when the film released.
Related Quotes
When 'Aashiqui' was released nobody knew that it will be such a good film... it is a cult film.
I think art is sublimated libido. You can’t be a eunuch priest, and you can’t be a eunuch artist.
I learned some big lessons on my first film, a horror film which was never released in the U.S., even though we sold it to Harvey Weinstein for a lot of money.
Being a screenwriter in Hollywood is like being a eunuch at an orgy. Worse, actually, at least the eunuch is allowed to watch.
I didn't start out my directorial career with a dance film, as I knew people thought a choreographer will easily make a dance film. And even with a non-dance film, I had delivered a successful film.
In 2005, I played Count Fosco in 'The Woman In White' on Broadway. It was a disaster. I was physically run down and terribly homesick and I just knew I had to leave. I lasted three months before the producers released me.
I knew I loved football before I even played it. Uh, but the first time I stepped out on the field playing for the Lakeshore Redskins, I knew that I loved this game. I knew that this was something I wanted to do. And I was only 6 years old, but I loved it.
As a teen-ager I played cards, shot craps, played pool, went to the track, hung around social clubs. I knew that some card and crap games were run by the mob, and some social clubs were mob social clubs. Even as a kid I knew guys that were here today, gone tomorrow, never seen again, and I knew what had happened.
In Hyderabad, it was really warm. I had decided to move there even before my first film released.
Look at 'Dulhe Raja.' It was a film made very quietly on the sidelines, and suddenly, when the film was released, it struck gold. I never expected the film to do well.
I read a lot when I was young. All the obvious, all the greats, from 'Le Grand Meaulnes,' 'To Kill a Mockingbird,' 'Fear and Loathing,' 'Catcher in the Rye,' 'The Bell Jar,' 'The Female Eunuch,' 'Valley of the Dolls,' 'The Feminine Mystique,' Tom Wolfe. Then, film took over for me. Film was so exciting in the '70s.
I played so long ago, I don't think anybody even knew you could transfer. I don't think they knew anything about it.
Even when I was looking for my first film, I knew I wanted to be in something that was good. I knew I was not a star kid, and I will not get any other chance.
The real guys that I knew were really cool people, who I played basketball with and traveled with on teams and knew their families and knew that they love their family. They just happen to do something that wasn't all the way legal, but it was a part of their life, and you knew that they hustled.
I remember till 997th film, but after that I got so busy with multiple projects; I'm not sure which one released as my 1,000th film.
Who would have ever thought I'd find love, contentment and joy in a prison cell, but I did. I knew that I knew that I knew that day, I'd been released, and I thought to myself, "I need to tell everyone about this" because no one had ever told me.
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