A Quote by Vishwajeet Pradhan
There was a time when villains were stylized as very fashionable with gelled hair, girls in arms and cigar in mouth but now films have come closer to the reality. Realism has entered our industry.
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And the boys were all clean, their faces freshly and brutally shaved, their hair painstakingly gelled into exquisite apparent carelessness, with this electric feeling inside of them, which matched the feelings in the girls, that they were all ascending, moving into a future that could only improve them, and I wondered what it was like - the miracle, the stupidity of feeling that.
In reality, there are very few villains who view themselves as villains. They just have a certain agenda at a certain time.
I wasn't into fairytales when I was little. I was of the generation of the earlier Disney films where many of the female characters, with the exception of the Maleficent's, were not little girls that I admired... the little princesses. They weren't characters that I identified with. I think that's very different now for my girls and more recent films.
A tobacco industry has been a fairly linear and predictable industry. You know what's going to happen every year. You know from time to time you are going to have a tax increase, you are going to have regulatory restriction, but, as it applies to everybody, I think we are doing very well. But now it's much more technology-driven. Competitors other than our traditional competitors can come in, whether legitimate or fly-by-night ones, and you have to anticipate all those things. The whole organization has to gear up to this new reality and these new competitive rules around it.
Imagine that the world is a circle, that God is the center, and that the radii are the different ways human beings live. When those who wish to come closer to God walk towards the center of the circle, they come closer to one another at the same time as to God. The closer they come to God, the closer they come to one another. And the closer they come to one another, the closer they come to God.
When I was a kid, I got a bob because all of the other girls on my soccer team with straight hair had one, and so I wanted one. Now I know girls with thick, curly hair should not get bobs. My hair was like one big circle.
India went through a dramatic revolution after the '90s when our economy started opening up for the first time and Indians were now experiencing the Western life, if you will. Drugs and sex and a lot of those influences came in as the economy stabilized, and we were growing up and experiencing that. The Indian writing market was very small at that time. Our literature was very attuned to what Western audiences were interested in, so everybody was writing about the slums in India and magic realism or stories about Hindus and Muslims and partition.
I love many realists but very strongly resist the notion that realism presents a less stylized, more authentic version of the world.
When I started in the profession, there were very visible actors who were Scottish, Welsh, or regional. Lots of working-class-hero leading actors; it was not fashionable to sound posh. Now, I'm middle-aged; it's fashionable to sound posh if you are the generation behind me.
It was interesting to have humanoid villains that were rooted in our three-dimensional reality... or four dimensional reality, I'm not sure which!
"A cigar," said the altruist, "a cigar, my good man, I cannot give you. But any time you need a light, just come around; mine is always lit."
Let me tell you what I look like: pale face, long hair, and a tiny start of a paunch. In addition, an awkward gait, and a cigar in the mouth and a pen in pocket or hand.
In 'Thor,' that was my own hair. I grew it out. But I have naturally curly, blonde hair, so I'll never look like that. By the time I got to 'The Avengers,' I had come off two other films, which required me to have it very short. So I dyed it again and it was long enough to use a part of my hairline.
When I entered the industry in the early 1970s, I was a gold medalist from the film institute, Pune. That was when graduates from the film institute were very quickly absorbed by the mainstream commercial industry.
Reality's its own thing. And I'm not really into reality that much. I'm into this cinematic stylized reality that can comment on reality. It's like the most beautiful parts of reality and the saddest parts, but it's none of this middle ground.
I use the cigar for timing purposes. If I tell a joke, I smoke as long as they laugh and when they stop laughing I take the cigar out of my mouth and start my next joke.
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