A Quote by Vita Sackville-West

Among the many problems which beset the novelist, not the least weighty is the choice of the moment at which to begin his novel. — © Vita Sackville-West
Among the many problems which beset the novelist, not the least weighty is the choice of the moment at which to begin his novel.
Among many other weighty objections to the Measure, it has been suggested, that it has a tendency to introduce religious disputes into the Army, which above all things should be avoided, and in many instances would compel men to a mode of Worship which they do not profess.
The DNA of the novel - which, if I begin to write nonfiction, I will write about this - is that: the title of the novel is the whole novel. The first line of the novel is the whole novel. The point of view is the whole novel. Every subplot is the whole novel. The verb tense is the whole novel.
It is never possible for a novelist to deny time inside the fabric of his novel: he must cling, however lightly, to the thread of his story, he must touch the interminable tapeworm, otherwise he becomes unintelligible, which, in his case, is a blunder.
When an argument is over, how many weighty reasons does a man recollect which his heat and violence made him utterly forget?
It's true that this is one of the problems which often arises among my radical, revolutionary feminist friends: Do you have to join the system or not? On the one hand, if you don't, you risk being ineffectual. But if you do, from that moment on, you place your feminism at the service of a system which you want to take apart.
Executive Severance, a laugh out loud comic mystery novel, epitomizes our current cultural moment in that it is born from the juxtaposition of authorial invention and technological communication innovation. Merging creative text with new electronic context, Robert K. Blechman's novel, which originally appeared as Twitter entries, can be read on a cell phone. His tweets which merge to form an entertaining novel can't be beat. Hold the phone; exalt in the mystery-engage with Blechman's story which signals the inception of a new literary art form.
The moment in which the narrator, reaching for his boots, becomes vividly and lastingly aware of the finality of his grandmother's death is another such moment. It would be interesting to explore Proust's great novel from the perspective of seeing how stable synthetic complexes are formed and modified.
There are still many unsolved problems about bird life, among which are the age that birds attain, the exact time at which some birds acquire their adult dress, and the changes which occur in this with years. Little, too, is known about the laws and routes of bird migration, and much less about the final disposition of the untold thousands which are annually produced.
We assume, to begin with, that the individual is at least as complex in his internal structure as the language is which he speaks - otherwise, how could he speak a language which is complex?
There do exist enquiring minds, which long for the truth of the heart, seek it, strive to solve the problems set by life, try to penetrate to the essence of things and phenomena and to penetrate into themselves. If a man reasons and thinks soundly, no matter which path he follows in solving these problems, he must inevitably arrive back at himself, and begin with the solution of the problem of what he is himself and what his place is in the world around him.
You can't really imagine every moment of a movie in the same way that you wouldn't expect a novelist to envision every sentence of his 800-page novel.
My father, a mining engineer and colliery manager, gave his brood many advantages not least of which, for me, was his love of singing which gave music a central place in our lives.
The problem of the novelist who wishes to write about a man's encounter with God is how he shall make the experience--which is both natural and supernatural--understandable, and credible, to his reader. In any age this would be a problem, but in our own, it is a well- nigh insurmountable one. Today's audience is one in which religious feeling has become, if not atrophied, at least vaporous and sentimental.
Most of us are conditioned for many years to have a political viewpoint - Republican or Democratic, liberal, conservative, or moderate. The fact of the matter is that most of the problems that we now face are technical problems, are administrative problems. They are very sophisticated judgments, which do not lend themselves to the great sort of passionate movements which have stirred this country so often in the past. - They deal with questions which are now beyond the comprehension of most men.
There is no vice of which a man can be guilty, no meanness, no shabbiness, no unkindness, which excites so much indignation among his contemporaries, friends and neighbours, as his success. This is the one unpardonable crime, which reason cannot defend, nor humility mitigate.
There are so many other people involved in the making of a play or a television series or whatever... even if you're a novelist there's so much in just the marketing of a book, or even the time... the zeitgeist, the moment at which it comes out. There's a lot you can't control.
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