A Quote by Vitali Klitschko

I don't like all this talking in the press. — © Vitali Klitschko
I don't like all this talking in the press.
That is the White House, where you can fit four times the amount of people in the press conference, allowing more press, more coverage from all over the country to have those press conferences. That's what we're talking about.
Joe Gallager's like a petulant child sometimes. In press conferences, for instance, when we're talking, he's rolling his eyes like a schoolgirl, pretending he's not listening. It's disrespectful and I don't like that.
Whatever the press is talking about, they want to keep talking about it. So instead of asking yourself, 'How can I get them to start talking about me?', figure out a way to get yourself involved in what they're already talking about.
Who are we talking about? We're talking about the people that are trying to criminalize Donald Trump. We're talking about the people that are trying to impeach him. We're talking about people who are trying to via innuendo and leak and media assassination, we're dealing with people that are trying to destroy Donald Trump and his press secretary just signaled that they are serious about reaching out to these people to try to get certain things done, legislatively, like infrastructure or tax reform.
I'm very confident in my sexuality, and I really don't like talking about my romantic life in the press.
I feel like not all press is good press. Sometimes personal things can be released, and... that's not good press.
When women do succeed, the press, even the industry press, spend far too much time talking about how we dress, what shoes we're wearing, who we're meant to be seeing. That's pretty sad for women, especially when it's written by women who really should know better.
There are some people that the press like to pick on and not just the gay press, but the press in general. And some people, the press just doesn't care about at all.
There are some people that the press like to pick on and not just the gay press, but the press in general. And some people, the press just doesn't care about at all
American press, like the press in many countries, acts like a cheerleader to our government rather than a critical observer. This is especially true, when it comes to foreign interventions. That means that when government leaders conclude that intervention in a foreign country is justified, the press rarely criticizes it. In fact, the press has been an enthusiastic cheerleader for many of our foreign interventions.
I'm not one of those actors that hates press and gets really groan-y about it - I always like talking about films.
I was talking to Australian press earlier, and they said: we never stopped playing you. I tended to forget about that. It brings a smile to your face that there is this continuing thing, that people like what you do.
I know that some of the folks in the press are uptight about this [moving the press corps out of the West Wing ], and I understand. What we're - the only thing that's been discussed is whether or not the initial press conferences are going to be in that small press - and for the people listening to this that don't know this, that the press room that people see on TV is very, very tiny. Forty-nine people fit in that press room.
A press that has validity is a press that has authority. And as soon as there's any authority to what the press says, you question the authority of the government - it's like the existence of another authority.
Talking to the press is not always good.
Like a cross between Paul Auster's The Book of Illusions and Janice Lee's Damnation, The Absolution of Roberto Acestes Laing is at once smart and slyly unsettling. It is expert at creating a quietly building sense of dread while claiming to do something as straightforward as describe lost films—like those conversations you have in which you realize only too late that what you actually talking about and what you think you are talking about are not the same thing at all. With Rombes, Two Dollar Radio deftly demonstrates why it is rapidly becoming the go-to press for innovative fiction.
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