A Quote by Vito Acconci
It's language as a kind of structural system. A diagram of a sentence, now that seems like a kind of architectural model. I don't know how to explain it, but it would be nice to try. Why, why this fascination?
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I try to use other songs or bands as reference points - it seems like the easiest way to get across what are really differences of taste or opinion. If you know what kind of music somebody loves, then you can kind of figure out why they do what they do.
If we always thought like that, why would we study physics, why would we think of cosmology, why would we do any kind of research? Because we know already so much that there is no one person who can contain all that information.
The Greek language seems different than other languages. I'm not the only person to think this. Usually, I come up with some kind of dopey metaphor for why it's different. But it seems, somehow, more original, more like being in the morning of language.
I’m curious about things that people aren’t supposed to see—so, for example, I liked going to the British Museum, but I would like it better if I could go into all the offices and storage rooms, I want to look in all the drawers and—discover stuff. And I want to know about people. I mean, I know it’s probably kind of rude but I want to know why you have all these boxes and what’s in them and why all your windows are papered over and how long it’s been that way and how do you feel when you wash things and why don’t you do something about it?
It's weird when people ask me, "Why are you so nice?" It's like, "Because that's just what you should do. You should be kind to people." It seems really basic, but it's amazing how many people forget that.
Now in Wikipedia it's really interesting. If you put something incorrect up on Wikipedia within minutes there are people crawling all over that sentence saying, "This is wrong" or "I want to change this" or "You've got to include an amplification," et cetera. So there's this massive checks and balances that actually makes that accuracy work. This is the kind of model that we - and I'm not sure why no one's discussing this - that we now have to begin to apply to fake news.
I think a person has to believe in something,
or search out some kind of faith;
otherwise life is empty, nothing.
How can you live not knowing why the cranes fly,
why children are born, why there are stars in the sky...
Either you know why you live,
or it's all small, unnecessary bits.
I don't think the Federal Reserve has any role in how high rates are right now. I don't understand why everyone is paying attention to this tapering. The Fed is using one kind of bond to buy another kind of bond. What's the big deal, and why is anyone taking the Fed seriously?
We're on tour to kind of explain why we do what we do, how its done and how we put it together.
I really like the director [for Weeds]. I don't know if you've spoken to him yet but he's really, really intelligent. He was just really kind when I met him and nice and really told me why I should play the part...and kind of really didn't argue with him. He's just really, really smart and assembled these really great people. I felt like he really knows how to enlist his intelligence to get you - I don't know - he's really hard to argue with I find.
Why there is one body in our System qualified to give light and heat to all the rest, I know no reason but because the Author of the System thought it convenient; and why there is but one body of this kind, I know no reason, but because one was sufficient to warm and enlighten all the rest.
Still, this whole grim reaper thing should have come with a manual. Or a diagram of some kind. A flowchart would have been nice.
I studied Comparative Literature at Cornell. Structuralism was real big then. The idea of reading and writing as being this language game. There's a lot of appeal to that. It's nice to think of it as this playful kind of thing. But I think that another way to look at it is "Look, I just want to be sincere. I want to write something and make you feel something and maybe you will go out and do something." And it seems that the world is in such bad shape now that we don't have time to do nothing but language games. That's how it seems to me.
I have tons of stuff that, you know, seems like it's a well-constructed sentence but it is not how people talk, it's how people write. So that's why I think it's sometimes easier for me to write for actors 'cause I know what's frustrating about, you know, sentences that come out just perfect. Well, who talks like that? And who of us don't overlap each other? Except on the radio, hopefully.
I'll have a sentence in my head that's kind of beautiful and interesting, but I'm not sure why or where it's coming from. So it's kind of funny, because when people point out patterns or themes, it's the exact opposite of my film school experience.
Americans like warm characters. It's why, no matter what he did in the early days, they kind of resonated to Bill Clinton because he seems like a guy that you could sit down and have a burger and a beer with. It's even why, despite the fact that he sometimes seemed to be not firing on all cylinders, lots of them still like George W. Bush - because he seemed like the kind of guy you could have a burger and a beer with.
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