A Quote by Vito Acconci

I didn't want to admit that I was a performer. A performer meant spotlights - a performer had connotations of theater. I would have preferred agent to performer. — © Vito Acconci
I didn't want to admit that I was a performer. A performer meant spotlights - a performer had connotations of theater. I would have preferred agent to performer.
As a solo performer, it's total involvement. What I do is to break down the wall between audience and performer.
Am I a frustrated performer? My wife would say I am! I guess there has to be something of the performer in you if you build a global business.
It's always been impressive to me when someone can really do what they want onstage. The audience has confidence in the performer and the performer has confidence in the crowd.
These are not necessarily our agendas, but we feel a part of what a performer is, and what a performer has to say is more than just words and music.
It's great to watch someone get the most out of what they can do, whether they're a beautiful performer or just a really gritty performer. It's something to behold.
No, I'm a theatrical, live performer or a movie performer.
And at the same time, you are of course a performer, but it's very important that you understand that your role as a performer is to get the best performance from those wonderful colleagues that you have the chance to work with.
If I belong to a tradition, it is a tradition that makes the masterpiece tell the performer what to do, and not the performer telling the piece what it should be like, or the composer what he ought to have composed.
When you talk about the exchange of energy between performer and audience and audience and performer, I hope that I'm one of the best.
If it's total freedom, I guess the ultimate thing you can go into is total silence between the audience and performer, with the performer projecting something he doesn't even have to play.
A performer may be taken in by his own act, convinced at the moment that the impression of reality which he fosters is the one and only reality. In such cases we have a sense in which the performer comes to be his own audience; he comes to be performer and observer of the same show. Presumably he introcepts or incorporates the standards he attempts to maintain in the presence of others so that even in their absence his conscience requires him to act in a socially proper way.
I always wanted to be a performer, I didn't know exactly what kind of performer, all I knew was there were certain things that I liked. I liked movies a whole lot, and I loved music.
I believe that classical music comes through listening and practice, and it can be fun both for the singer or performer and the listener or audience, as long as the performer is taught to recognise the pulse of the audience.
I find that the British audience listens and they accept the performer for its value, value as a singer, as a vocalist, value as a performer. You're only accepted if you're good.
Canadian comedians are generally more well-rounded... They have to do a lot more. In order to have a career in this country, you have to do everything. And in the States you can narrow-cast, you can be just a sitcom performer or a stand-up comedian or a sketch performer.
I want to change how people perceived me when I came over here, change how the people perceive South-East Asians or Middle Eastern or Muslim or Hindu or whatever their identity is. I want them to just let that go and treat the performer as a performer.
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