A Quote by Vittorio Gregotti

The task of the architectural project is to reveal, through the transformation of form, the essence of the surrounding context. — © Vittorio Gregotti
The task of the architectural project is to reveal, through the transformation of form, the essence of the surrounding context.
The essence of architecture is form and space, and light is the essential element to the key to architectural design, probably more important than anything. Technology and materials are secondary.
Transient bodies are only subject to destruction through their substance and not through their form, nor can the essence of their form be destroyed; in this respect, they are permanent.
Transient bodies are only subject to destruction through their substance and not through their form, nor can the essence of their form be destroyed; in this respect they are permanent.
Aside from the fact of just taking things out of context, I don't know why. That's part of a mystery. In a way, a transformation is a mystery to me. But there is a transformation, and that's fascinating.
I see the Beijing National Stadium as an architectural project. I accepted Herzog and De Meuron's invitation to collaborate on the design, and our proposal won the competition. From beginning to end, I stayed with the project. I am committed to fostering relationships between a city and its architecture.
You know how we say things like "I just have to be true to myself"? What does that mean? Great people always say, "There's something I was meant to do." That knowingness is what the soul understands. You have fundamental agreements that you simply feel. You can't put your finger on them because they reveal themselves to you within the context of your life through coincidence, synchronicity, and obligations you can't get out of. Together, these things form the whole of your sacred contract.
God's Word is not presented in Scripture in the form of a theological system, but it admits of being stated in that form, and, indeed, requires to be so stated before we can properly grasp it - grasp it, that is, as a whole. Every text has its immediate context in the passage from which it comes, its broader context in the book to which it belongs, and its ultimate context in the Bible as a whole; and it needs to be rightly related to each of these contexts if its character, scope and significance is to be adequately understood.
The essence of every form is the deathless. Even the essence of a blade of grass is the deathless. And that's why the world of form is sacred.
Through death you find yourself, because you no longer identify with form. You realize you are not the form with which you had identified ­ neither the physical nor the psychological form of "me". That form goes. It dissolves and who you are beyond form emerges through the opening where that form was. One could almost say that every form of life obscures God.
Once there is a certain degree of Presence, of still and alert attention in human beings' perceptions, they can sense the divine life essence, the one indwelling consciousness or spirit in every creature, every life-form, recognize it as one with their own essence and so love it as themselves. Until this happens, however, most humans see only the outer forms, unaware of the inner essence, just as they are unaware of their own essence and identify only with their own physical and psychological form.
Everyone should know nowadays the unimportance of the photographic in art: that truth, life, or reality is an organic thing which the poetic imagination can represent or suggest, in essence, only through transformation, through changing into other forms than those which were merely present in appearance.
Architectural-form equals social-form
More than ever, movies reveal themselves as healing, as helpful, as encouraging, as escapist - anything that makes someone get through their day in these times. It's the best form of entertainment, and it's still arguably the most inexpensive form of entertainment.
But in the years since the neoliberal project really has been stripped down to what was always its essence: not an economic project at all, but a political project, designed to devastate the imagination, and willing - with it's cumbersome securitization and insane military projects - to destroy the capitalist order itself if that's what it took to make it seem inevitable.
Claim the possibility of a miraculous shift toward global transformation, allow the thought to move through you like a wave of energy, then emerge ready for the task of doing your part to make it happen.
We lived in a housing project graced by the architectural style of Early Chicken Coop.
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