A Quote by Viv Albertine

It's the people who transcend their backgrounds who are interesting to me. I have got a bit of inverted snobbery. — © Viv Albertine
It's the people who transcend their backgrounds who are interesting to me. I have got a bit of inverted snobbery.
Inverted snobbery is just as dangerous as snobbery itself, you know - that pride in having nothing.
I got into college, and a gentleman gave me a ride in a plane, and he flipped it upside down so we're inverted flying, like it was nothing, and from that moment forward, I fell in love with it. I said, 'I've got to learn this; I've got to do this.'
I don't believe in any kind of artistic snobbery or musical snobbery. You know, to me, the sexiest and the most spiritual words ever uttered in rock and roll are wop babaloo balop bam boom.
I personally favor old mechanical watches, but my snobbery does not extend to demanding that all people wear them. My snobbery demands that no one wear a digital.
There's been a kind of inverse snobbery about culture. I get the feeling some people would look at Shakespeare and say, that's a bit too intimidating for working-class people.
The attraction to me was that Harvard was such a big community, with interesting things to do and interesting people, but you realise when you're there that things are a lot narrower than you thought. It's a little bit of a let-down.
Hypocrisy is the essence of snobbery, but all snobbery is about the problem of belonging.
I was friends with all different people and all different groups. And that led me to being friends with a few people who didn't even go to my school. Now I have the most amazing collection of friends of all ethnic backgrounds and upbringing and financial backgrounds.
I'm finding a lot of actors my age now who are a bit more like me, and not as posh or brought up in a certain way. There's now people of all sorts of kinds of backgrounds.
I got into cooking just by watching my mom and my aunts and my great-aunts and actually one of my cousins who has her own catering business in Atlanta, Georgia. So everybody around me really cooked and it was just all these different styles and backgrounds and cuisines of cooking that I found so interesting.
I was friends with all different people and all different groups. And that led me to being friends with a few people who didnt even go to my school. Now I have the most amazing collection of friends of all ethnic backgrounds and upbringing and financial backgrounds.
I often think of a quote from entrepreneur Jim Rohn: 'You are the average of the five people you spend the most time with.' Surround yourself with people who are doing interesting things, who are thinking interesting thoughts, who challenge you to be better, and who come from a diverse set of backgrounds and experiences. That, combined with appropriate moments of 'me' time, provides the perfect breeding ground for great ideas. And whatever you do, don't get hung up on what competitors are doing. Be aware of what's going on in the industry, but don't let it dictate your own creative process.
Increasingly, to dismiss any popular artistic style is seen as the worst kind of snobbery. And snobbery, it goes without saying, is unacceptable in a diverse and democratic world.
The two most potent post-war orthodoxies--socialist politics and modernist art--have at least one feature in common: they are bothforms of snobbery, the anti-bourgeois snobbery of people convinced of their right to dictate to the common man in the name of the common man.
Years ago R.N.A. was kind of a bit player in the cell. Now our picture's completely inverted, and we think R.N.A.'s really the important thing.
I rap and I sing, so then you've got a bit of hip-hop in there. I'm Jamaican, so you got a bit of dancehall. And I'm from London, so there's a bit of London things in there... And at sometimes, it's a little bit Afrobeat.
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