A Quote by Vivek

I need solid roles that provide scope for performance, even if it is just a few scenes. — © Vivek
I need solid roles that provide scope for performance, even if it is just a few scenes.
I look forward to meaningful roles that provide me an opportunity to perform, even if I appear only in a couple of scenes.
You often hear when you talk to guys in our industry, that this is my personality, I just turn the volume up, but over the years, I've really become me. No volume turned up, no nothing. I've been able to go out there and just be myself. It's through solid performance after solid performance that people just take you for who you are.
I don't want to be a glamour doll. I want roles which provide me the scope to perform.
I really want to act and act in great roles, which have scope of performance.
Most problems, decisions, and performances are multidimensional, but somehow the results have to be reduced to a few key indicators which are to be institutionally rewarded or penalized... The need to reduce the indicators to a manageable few is based not only on the need to conserve the time (and sanity) of those who assign rewards and penalties, but also to provide those subject to these incentives with some objective indication of what their performance is expected to be and how it will be judged... key indicators can never tell the whole story.
I've been in so many funeral scenes from The Sopranos, and I think I've even been in one on Sons of Anarchy. Those scenes, as a human being, are the most tedious scenes, of all time. You're waiting, all day, in the blistering hot heat. So, I didn't need to be there.
I have done performance-based roles earlier, films which revolved around me. 'Kshatriya' was one such solid role. And, at that time, people had written good things about it.
In my forthcoming movie 'Jerry,' I play a funny character, where there is scope for me to perform. I hope people would appreciate my performance. Hence forth I would concentrate on doing variety of roles, rather than appearing in skimpy costumes.
We are in an industry where, unfortunately, there is very limited scope for female-oriented roles. If we don't have options, how can we pick and choose roles?
Let me completely condemn these sickening scenes; scenes of looting, scenes of vandalism, scenes of thieving, scenes of people attacking police, of people even attacking firefighters. This is criminality pure and simple and it has to be confronted.
If we can provide even a few months of early warning for just one pandemic, the benefits will outweigh all the time and energy we're devoting. Imagine preventing health crises, not just responding to them.
You absolutely feel, as a black actress, that you've got to ride the wave because there's just so few roles. I hate to play that card, but it's the truth. There's not a lot of roles.
On television, there isn't much scope to do different roles. I try to bring some new shades to my roles, and I try to play them differently. I think I have been able to manage that pretty well.
I won't do roles that are dirty, full of double meaning dialogues and vulgar gestures. Though such roles had made me a star, my conscience was against doing such scenes.
Usually climax scenes have emotional or action scenes but Podaa Podi' has a climax with a dance performance.
Everybody comes in with a certain goal. Some are performance, some are aesthetic. Even athletes have aesthetic goals, but first and foremost, they have performance goals, and those need to be addressed. They have weaknesses that need to be shored up. You have to manage expectations sometimes.
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