A Quote by Vivek Oberoi
I believe it is tough to be funny and tougher to make people laugh. And it needs to be been done effortlessly. A joke can be comedy, but one can kill the joke if it is delivered badly.
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I have become a giant fan of the testing process, especially with a comedy. I mean, they tell you what's funny. It's almost tailor-made for people who shoot the way we shoot, trying a million different options and versions of things. Because the audience doesn't laugh at a joke, we put in another joke. If they don't laugh at the next joke, we put in another joke. You just keep doing them and you can get the movie to the point where every joke is funny, if you have enough options in the can.
If a comedian tells a joke that you find funny, you laugh. If he tells a joke you do not find funny, don't laugh. Or you could possibly go as far as groaning or rolling your eyes. Then you wait for his next joke; if that's funny, then you laugh. If it's not, you don't laugh - or at very worst, you can leave quietly.
A joke is either funny or it's not funny. If I hear a funny joke, you know what I do? I laugh, that's what I do. I don't start a focus group to see who got hurt by the joke.
If a comedian tells a joke that you find funny, you laugh. If he tells a joke you do not find funny, dont laugh. Or you could possibly go as far as groaning or rolling your eyes. Then you wait for his next joke; if thats funny, then you laugh. If its not, you dont laugh - or at very worst, you can leave quietly.
I'm like a bumper car. When I did an infomercial I was fodder for every TV comedy show. I couldn't get a job. People said I was a huge joke. I've been a joke so many times. I've been on my way out since I started, but I'm strong-willed. My mother is so much tougher than I am and my grandmother is so much tougher than my mother.
You can crack a joke and make a person smile but it matters a lot when that's on screen. It can be a very nice joke but if you shoot it badly or the actor gets the timing wrong, it won't be funny.
The U.K. and Europe in general seem to be a lot more patient. The U.S. are expecting 'joke joke joke joke joke joke joke.' They don't actually sit and listen to you.
When I was working with Barry Sonnenfeld, I'd watch him set up a shot and talk to him about what he was seeing and what it was to shoot comedy. He told me that a lot of times with comedy, it's not just about getting the joke, but getting a reaction to the joke. That's the laugh - it's somebody's else's reaction to the joke.
I keep on repeating something told to me by an American psychologist: "When you are making a joke about someone and you are the only one to laugh, it is not a joke. It is a joke only for yourself." If people are making a joke they have the right to laugh at me but I will ignore them. Ignoring doesn't mean that you don't understand. You understand it so much that you don't want to react.
When I'm writing columns, it's - all I'm thinking about is jokes, joke, joke, joke, setup, punch line, joke, joke, joke. And I really don't care where it goes.
If you work at comedy too laboriously, you can kill what's funny in the joke.
I take a lot of pride in managing to be funny without having a victim at the end of my joke. I laugh at a really dark joke as much as the next person, but my jokes, I feel, don't have to hurt anybody to be really funny.
I always say, if I tell you a joke right now and it's funny, you laugh. Now, we set the lights, and I tell you the joke again, it's hard to find it funny the second time.
Any joke can be funny, but not any joke is funny. Any joke has the potential to be hilarious to you, but more importantly, the joke has the potential to not be funny to you but to someone else.
The only time I get sick of making people laugh is when I'm in a non-writing-joke mode, and I just can't seem to come up with anything new that's funny. That's a tough place to be as a comedian.
I've noticed, as a comedy fan, that I really like Paul Thomas Anderson or Quentin Tarantino because when they're funny, they're actually funny. It's not like when other dramatic writers have comedy, and I'm just like, 'Well, that's not funny. Why are you even trying to make a joke here?'
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